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Shloka 80

Puṣkara Sacrifice: Gāyatrī’s Marriage, Sāvitrī’s Wrath, Rudra’s Test, and the Tīrtha-Māhātmya

अग्निहोत्ररता ये च भक्तिमंतो जनार्दने । पूजयंति च ब्रह्माणं तेजोराशिं दिवाकरम्

agnihotraratā ye ca bhaktimaṃto janārdane | pūjayaṃti ca brahmāṇaṃ tejorāśiṃ divākaram

ผู้ที่ยินดีในอัคนิโหตระ และเปี่ยมด้วยภักติต่อพระชนารทนะ ย่อมบูชาพระพรหมาด้วย—คือพระอาทิตย์ทิวากร ผู้เป็นมวลแห่งรัศมีอันรุ่งโรจน์

agnihotraratāḥengaged in Agnihotra rituals
agnihotraratāḥ:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootagnihotrarata (अग्निहोत्ररत)
FormMasculine, Nominative (1st/प्रथमा), Plural
yewho
ye:
Karta (Subject/कर्ता)
TypeNoun
Rootyad (यद्)
FormMasculine, Nominative (1st/प्रथमा), Plural
caand
ca:
null
TypeIndeclinable
Rootca (च)
FormConjunction
bhaktimantaḥdevoted/possessing devotion
bhaktimantaḥ:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootbhaktimat (भक्तिमत्)
FormMasculine, Nominative (1st/प्रथमा), Plural (Matup suffix)
janārdanein Janardana (Vishnu)
janārdane:
Vishaya (Object of devotion/विषय)
TypeNoun
Rootjanārdana (जनार्दन)
FormMasculine, Locative (7th/सप्तमी), Singular
pūjayantithey worship
pūjayanti:
Kriya (Action/क्रिया)
TypeVerb
Rootpūj (पूज्)
FormLat Lakara (Present), Prathama Purusha, Plural
caand
ca:
null
TypeIndeclinable
Rootca (च)
FormConjunction
brahmāṇamBrahma
brahmāṇam:
Karma (Object/कर्म)
TypeNoun
Rootbrahman (ब्रह्मन्)
FormMasculine, Accusative (2nd/द्वितीया), Singular
tejorāśimheap of splendor
tejorāśim:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Roottejorāśi (तेजोराशि)
FormMasculine, Accusative (2nd/द्वितीया), Singular
divākaramthe Sun (maker of day)
divākaram:
Karma (Object/कर्म)
TypeNoun
Rootdivākara (दिवाकर)
FormMasculine, Accusative (2nd/द्वितीया), Singular (Upapada Tatpurusha)

Unspecified narrator (context-dependent within Sṛṣṭi-khaṇḍa dialogues; commonly framed as Pulastya speaking to Bhīṣma in this section)

Concept: Vedic ritual (agnihotra) harmonized with bhakti to Janārdana culminates in honoring cosmic intelligences (Brahmā/Sūrya) as radiance and order.

Application: Keep daily disciplines (prayer, offerings, ethical routine) while anchoring them in devotion to Vishnu; treat the sun as a reminder of divine tejas and gratitude.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A serene dawn ritual: devoted householders and brāhmaṇas tend a small sacred fire, offering ghee as the first sunbeams spill across the altar. Above them, the solar orb appears as a radiant deity-form—Brahmā’s creative intelligence shimmering within the sun’s tejas—while Janārdana’s presence is felt as a calm, protective aura behind the rite.","primary_figures":["Janārdana (Vishnu)","Brahmā (as Pitāmaha)","Sūrya (as divākara/tejorāśi)","Agnihotra-performing brāhmaṇas"],"setting":"Vedic altar courtyard with kuśa grass, ladles, ghee pot, and a low fire-pit; horizon line with rising sun; subtle divine forms in the sky.","lighting_mood":"golden dawn","color_palette":["saffron gold","vermillion red","smoke gray","lotus pink","deep indigo"],"tanjore_prompt":"Tanjore painting style: dawn agnihotra scene with a central blazing homa-kunda, brāhmaṇas in white dhotis offering ghee; behind them a calm Janārdana haloed in sapphire blue; above, Sūrya as a tejorāśi with Brahmā’s four-faced suggestion within the solar disc; heavy gold leaf radiance around sun and deity halos, rich reds/greens, gem-studded ornaments, traditional South Indian iconography, ornate arch frame.","pahari_prompt":"Pahari miniature style: delicate dawn landscape with a small fire altar on a terrace, thin curls of smoke, soft pink-orange sky; refined figures performing agnihotra; a lyrical, semi-transparent Vishnu presence in blue behind them; the sun rendered as a glowing disc with subtle Brahmā symbolism; cool mountain-like distance haze, fine brushwork, gentle naturalism.","kerala_mural_prompt":"Kerala mural style: bold black outlines, natural pigments; central homa-kunda with stylized flames; Janārdana in deep blue with large expressive eyes and yellow ornaments; Sūrya as a radiant circular mandala above with Brahmā motif; temple-wall aesthetic, red/yellow/green palette, symmetrical composition.","pichwai_prompt":"Pichwai cloth painting style: devotional courtyard with lotus motifs and ornate floral borders; Janārdana’s presence suggested as a central blue aura; the sun as a golden mandala overhead; attendants performing offerings; intricate patterns, deep blues and gold, rhythmic repetition of flames and lotuses, Nathdwara-inspired ornamentation."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","crackling fire","soft conch shell","morning birds","gentle wind"]}

Sandhi Resolution Notes: agnihotraratā ye = agnihotraratāḥ + ye (visarga lopa); bhaktimaṃto = bhaktimantaḥ (visarga sandhi)

J
Janārdana (Vishnu)
B
Brahmā
D
Divākara (Sun/Sūrya)

FAQs

Agnihotra refers to a Vedic fire offering performed at prescribed times, symbolizing disciplined ritual duty (karma) aligned with sacred order.

It explicitly pairs ritual commitment (Agnihotra) with heartfelt devotion to Janārdana, presenting worship as incomplete without devotion-centered orientation toward Viṣṇu.

The phrase tejorāśi underscores the Sun’s cosmic function as concentrated light and order, making Sūrya a natural object of reverence within Vedic-Purāṇic theology.