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Shloka 83

Puṣkara Mahatmya: Brahmā’s Lotus-Tīrtha, Sacrifice, Initiation, and Kṣetra-Dharma

जनितं तद्भगवता लोकानां हितकारिणा । ब्रह्माणं तत्र वै गत्वा तोषयध्वं मया सह

janitaṃ tadbhagavatā lokānāṃ hitakāriṇā | brahmāṇaṃ tatra vai gatvā toṣayadhvaṃ mayā saha

การบังเกิดนั้น พระภควานผู้เกื้อกูลสรรพโลกได้ทรงก่อให้เกิดขึ้น ดังนั้นพวกท่านจงไปยังที่นั้นเฝ้าพระพรหม และร่วมกับเราให้พระองค์ทรงพอพระทัย

जनितम्produced, generated
जनितम्:
Karma (Result/object state/कर्म)
TypeVerb
Root√जन् (धातु) + त (कृत्-प्रत्यय)
Formभूतकर्मणि कृदन्त (past passive participle), नपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन
तत्-भगवताby that Lord
तत्-भगवता:
Karana (Instrument/Agent in passive/करण)
TypeNoun
Rootतत् (सर्वनाम-प्रातिपदिक) + भगवत् (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), एकवचन; समासः कर्मधारय (तत् भगवता = by that Lord)
लोकानाम्of the worlds / of people
लोकानाम्:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootलोक (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), बहुवचन
हित-कारिणाbeneficent, doing good
हित-कारिणा:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootहित (प्रातिपदिक) + कारिन् (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), एकवचन; समासः तत्पुरुष (हितं करोति)
ब्रह्माणम्Brahmā
ब्रह्माणम्:
Karma (Object/कर्म)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
तत्रthere
तत्र:
Adhikarana (Location/अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formअव्यय; स्थानवाचक-अव्यय (locative adverb)
वैindeed
वै:
Sambandha (Emphasis/सम्बन्ध)
TypeIndeclinable
Rootवै (अव्यय)
Formअव्यय; निपात (emphatic/assuring particle)
गत्वाhaving gone
गत्वा:
Purvakala-kriya (Prior action/पूर्वकाल-क्रिया)
TypeVerb
Root√गम् (धातु) + त्वा (क्त्वा-प्रत्यय)
Formअव्ययभाव-क्त्वान्त (gerund), पूर्वकालिक क्रिया (prior action)
तोषयध्वम्please (propitiate)
तोषयध्वम्:
Kriya (Action/क्रिया)
TypeVerb
Root√तुष् (धातु) [causative: तोषयति]
Formलोट्-लकार (Imperative), मध्यमपुरुष (2nd person), बहुवचन; आत्मनेपद
मयाwith me / by me
मया:
Sahartha (Association/सहार्थ)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formउत्तमपुरुष-सर्वनाम, तृतीया-विभक्ति (3rd/Instrumental), एकवचन
सहtogether with
सह:
Sahartha (Association/सहार्थ)
TypeIndeclinable
Rootसह (अव्यय)
Formअव्यय; सहार्थक-उपसर्ग/निपात (postposition ‘with’, governs instrumental)

Unspecified (context-dependent narrator/speaker in Adhyaya 15)

Concept: Honor the divine order: the worlds are generated by Bhagavan for loka-hita, and proper response is gratitude expressed through worship of Brahmā in the sanctified kṣetra.

Application: Practice gratitude toward sources of learning and creation (teachers, parents, mentors); perform acts of honoring that strengthen humility and harmony.

Primary Rasa: shanta

Secondary Rasa: vira

Type: tirtha

Visual Art Cues: {"scene_description":"A procession moves toward a sacred grove near Puṣkara: Vishnu’s directive seems to guide them as they approach Brahmā’s lotus-seat. The atmosphere is ceremonial—hands folded, offerings carried—while the landscape itself feels newly created, as if the world is still fresh from the Lord’s beneficent act.","primary_figures":["Vishnu (as guiding presence)","Brahmā (lotus-seated)","Devas","ritual attendants/sages"],"setting":"approach path to a lotus-filled lake and a grove with a simple altar; Brahmā visible in a clearing on a lotus pedestal","lighting_mood":"divine radiance","color_palette":["lotus pink","cream white","verdigris green","sky blue","ritual vermilion"],"tanjore_prompt":"Tanjore painting style: Brahmā seated on a lotus dais near Puṣkara, with a reverent procession approaching; Vishnu’s presence indicated by a radiant haloed figure or symbolic śaṅkha-cakra; gold leaf on lotuses and halos, rich reds/greens, ornate crowns and jewelry.","pahari_prompt":"Pahari miniature style: gentle procession through flowering trees toward Brahmā in a serene clearing; delicate lotuses, soft blues and greens, refined faces, lyrical naturalism, distant hills and calm water.","kerala_mural_prompt":"Kerala mural style: Brahmā with four faces stylized, seated on a lotus; attendants in profile with folded hands; bold outlines, warm pigments, patterned foliage, temple-wall composition.","pichwai_prompt":"Pichwai cloth painting style: lotus motifs dominate; Brahmā centered on a lotus, surrounded by floral borders and symmetrical attendants; deep blues and pinks with gold highlights, devotional textile aesthetic."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft drum (mridanga)","conch shell (distant)","mantra murmurs","birds"]}

Sandhi Resolution Notes: तद्भगवता = तत् + भगवता; हितकारिणा = हित + कारिणा (समास); तोषयध्वं = तोषय + ध्वम् (आत्मनेपद-प्रत्यय).

B
Bhagavān (the Lord)
B
Brahmā

FAQs

It attributes the arising of creation to Bhagavān, described as lokānāṃ hitakāriṇā—one who acts for the welfare of all worlds—framing creation as purposeful and benevolent.

Brahmā functions as the appointed creator within the cosmic order; “pleasing” him implies respectful cooperation with the divinely established role through which creation is organized.

It emphasizes humility and collective duty: one should honour rightful authority and work harmoniously with others in service of a larger, welfare-oriented purpose.