Shloka 20
The Glory of Tulasī and Dhātrī (Āmalakī): Protection from Yama and Attainment of Vaikuṇṭha
पाणौ मूर्ध्नि गले चैव कर्णयोश्च मुखे द्विज । धात्रीफलं यस्तु धत्ते स विज्ञेयो हरिः स्वयम्
pāṇau mūrdhni gale caiva karṇayośca mukhe dvija | dhātrīphalaṃ yastu dhatte sa vijñeyo hariḥ svayam
โอ้ทวิช ผู้ใดสวมผลธาตรี (อามลกะ) ไว้ที่มือ ที่ศีรษะ ที่ลำคอ ที่หู หรือใกล้ปาก ผู้นั้นพึงรู้ว่าเป็นพระหริเอง
Unspecified (context-dependent within Brahma-khaṇḍa narration)
Concept: Hari-sāmīpya (nearness to Hari) is expressed through sacred emblems; devotional identity can be ‘worn’ as constant remembrance.
Application: Adopt simple devotional reminders (mālā, tilaka, sacred beads/amulets) to keep mindfulness of ethics and remembrance; treat the body as an instrument of service.
Primary Rasa: adbhuta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A devotee adorned with small golden-green āmalakī fruits—on wrist, head, neck, ears, and near the lips—stands in quiet confidence, as if the body itself has become a moving shrine. A faint vision of Hari’s four-armed form overlays the devotee like a translucent aura, suggesting identity through devotion.","primary_figures":["Devotee (dvija)","Śrī Hari (aura/overlay vision)","Āmalakī (Dhātrī) fruit ornaments"],"setting":"Temple courtyard or sacred garden with Dhātrī tree in the background; ritual paraphernalia minimal to emphasize the body as sacred support.","lighting_mood":"divine radiance","color_palette":["emerald green","gold leaf","ivory white","sapphire blue","vermillion"],"tanjore_prompt":"Tanjore painting style: devotee front-facing with ornate āmalakī fruit ornaments at wrist, crown, earrings, and necklace; behind, a gold-leaf halo and a subtle four-armed Hari silhouette with śaṅkha-cakra-gadā-padma; rich reds/greens, gem-like detailing on fruit, traditional iconographic symmetry and heavy gold borders.","pahari_prompt":"Pahari miniature style: refined portrait of a devotee in a garden, delicate āmalakī fruits painted with fine highlights; a faint, ethereal Hari form in pale blue behind like a protective presence; soft natural palette, gentle facial expression, lyrical trees and distant hills.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized eyes; āmalakī fruits rendered as rhythmic green circles with yellow highlights; Hari’s aura in blue-green behind; flat pigment fields, temple-wall composition with decorative floral bands.","pichwai_prompt":"Pichwai cloth painting style: central devotee framed by āmalakī and tulasī vine borders; translucent Hari motif above; lotus medallions and peacocks at corners; deep blue background with gold and green ornamentation, intricate textile-like patterning."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["temple bells","tanpura drone","soft hand cymbals","garden birds"]}
Sandhi Resolution Notes: चैव = च + एव. कर्णयोश्च = कर्णयोः + च (visarga before c -> ś). यस्तु = यः + तु.
FAQs
Dhātrīphala refers to the āmalaka (Indian gooseberry, amla), a sacred item in several Vaiṣṇava devotional contexts.
The verse uses devotional hyperbole to exalt visible acts of devotion—treating the devotee who bears a sacred emblem as intimately identified with Viṣṇu (Hari) through bhakti.
It emphasizes honoring sincere devotional observances and the sanctity attributed to sacred objects when used as expressions of faith and remembrance of Hari.