Shloka 54
Narration of the Greatness of Harivāsara
Ekādaśī, the Day Sacred to Hari
निराहारौ कृतौ द्वौ च निर्मला सा बभूव ह । रात्रौ च पंचतां याता जयंतीवासरे द्विज
nirāhārau kṛtau dvau ca nirmalā sā babhūva ha | rātrau ca paṃcatāṃ yātā jayaṃtīvāsare dvija
ครั้นได้ถืออุโบสถอดอาหารสองวัน นางก็บริสุทธิ์ผ่องใสโดยแท้ และในราตรีแห่งวันชัยยันตี โอ้ทวิชะ นางได้ไปสู่สภาพแห่งมหาภูตทั้งห้า (คือสิ้นชีวิต)
Unspecified narrator (addressing a dvija)
Concept: Austerity (nirāhāra) undertaken with faith purifies, and the final moment (antakāla) becomes spiritually decisive.
Application: Keep a disciplined observance (fasting, restraint, japa) on a chosen Viṣṇu-day; treat the day’s end as a conscious offering—sleep, speech, and mind kept sattvic.
Primary Rasa: karuna
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A frail yet luminous woman sits in a simple inner courtyard, fasting for two days; her face is serene, eyes half-closed in remembrance of Hari. Night falls on Jayantī; a subtle glow gathers around her as her breath quiets, suggesting the soul’s release into the cosmic elements.","primary_figures":["a fasting devotee woman","subtle presence of Viṣṇu (symbolic aura/lotus)"],"setting":"humble Brahminical home courtyard with a small lamp, water pot, and a leaf-plate left untouched; night sky indicating Jayantī observance","lighting_mood":"temple lamp-lit","color_palette":["lamp-flame amber","indigo night","ash white","lotus pink","sandalwood beige"],"tanjore_prompt":"Tanjore painting style: a serene fasting woman seated near a small oil lamp and tulasi pot (optional), with a faint golden halo motif of Viṣṇu’s lotus behind; heavy gold leaf embellishment around the halo and lamp flame, rich vermilion and emerald borders, jewel-like highlights on ritual vessels, South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: quiet courtyard at night with delicate brushwork; the devotee’s calm face rendered with refined features, cool indigo sky and pale moon, minimal objects (lamp, water pot, leaf-plate), lyrical stillness suggesting the soul’s departure.","kerala_mural_prompt":"Kerala mural style: bold black outlines and warm natural pigments; the devotee in profile with large expressive eyes, lamp-lit ochres and reds, stylized floral borders, subtle pañca-bhūta motifs (earth, water, fire, air, ether) in the background.","pichwai_prompt":"Pichwai cloth painting style: devotional night scene framed by lotus and vine borders; symbolic Viṣṇu-padma motif above, deep blue ground with gold detailing, small lamp flames repeated like stars, intricate floral filigree around the central figure."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft temple bells","night insects","gentle silence","single lamp crackle"]}
Sandhi Resolution Notes: jayaṃtīvāsare → jayaṃtī-vāsare; अन्यत्र स्पष्टपदानि।
FAQs
It literally means “gone to the state of the five,” a common Sanskrit idiom for death—returning to (or dissolving into) the five great elements (pañca-mahābhūtas).
The verse frames fasting (nirāhāra) as a purificatory observance (śuddhi/nirmalatā), indicating inner cleansing through vrata-like discipline.
By linking purification, sacred calendrical time, and death, the verse underscores impermanence and the value of completing spiritual observances with sincerity, as life’s end can come unexpectedly.