Shloka 35
Glory of Guru-tīrtha: Mānasarovara Marvels and the Revā Confluence
तव पश्चात्प्रदास्यामि भोजनं पानसंयुतम् । इत्युक्तः प्रियया व्याधः सत्वरेण जगाम ह
tava paścātpradāsyāmi bhojanaṃ pānasaṃyutam | ityuktaḥ priyayā vyādhaḥ satvareṇa jagāma ha
นางผู้เป็นที่รักกล่าวว่า “หลังจากท่านแล้ว ข้าจะถวายภัตตาหารพร้อมเครื่องดื่ม” ครั้นถูกกล่าวดังนี้ นายพรานก็รีบเร่งออกเดินทางไปโดยพลัน
Narrator (third-person narration within the Purāṇic dialogue)
Concept: Sevā (loving service) and orderly conduct become the doorway to merit when aligned with pilgrimage and purity.
Application: Let care for family and guests be timely and sincere; support spiritual aims with practical kindness rather than neglecting duties in the name of piety.
Primary Rasa: shanta
Secondary Rasa: shringara
Visual Art Cues: {"scene_description":"A forest-edge dwelling at dawn: the hunter pauses with bow lowered as his beloved speaks gently, holding a leaf-cup of water and a small bundle of food. The moment is intimate and quiet, foreshadowing a sacred journey—domestic affection turning the wheel of destiny toward a tīrtha.","primary_figures":["the hunter (vyādha)","his beloved wife/partner"],"setting":"rustic hut near woodland path leading toward a distant riverbank; simple earthen pots, woven basket, and a faint glimpse of pilgrimage trail markers","lighting_mood":"golden dawn","color_palette":["earth brown","leaf green","saffron ochre","river-sky blue","soft ivory"],"tanjore_prompt":"Tanjore painting style: a tender domestic scene at the threshold of a forest hut—hunter with lowered bow and quiver, beloved offering a leaf-bowl of water and food; gold leaf embellishment on ornaments and halo-like aura hints, rich reds and greens in textiles, stylized South Indian foliage, embossed borders and gem-like highlights.","pahari_prompt":"Pahari miniature style: delicate brushwork showing a forest cottage at dawn; the beloved gestures with a leaf-cup while the hunter steps onto a winding path; cool greens and pale blues, lyrical naturalism, refined faces, distant river shimmer and soft Himalayan-like atmospheric perspective.","kerala_mural_prompt":"Kerala mural style: bold black outlines and warm natural pigments; the couple at the doorway with expressive eyes, simplified forest motifs, ochre-red ground, green foliage bands, and a subtle divine suggestion in the background path leading to water.","pichwai_prompt":"Pichwai cloth painting style: devotional domestic threshold scene framed by intricate floral borders; lotus motifs foreshadowing purification, peacocks perched on a branch, deep indigo background with gold accents; the couple rendered in Nathdwara-inspired stylization, with a distant river ribboned like a sacred garland."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["morning birds","soft footsteps on earth","distant flowing water","gentle wind in leaves"]}
Sandhi Resolution Notes: पश्चात्प्रदास्यामि = पश्चात् + प्रदास्यामि; इत्युक्तः = इति + उक्तः; पानसंयुतम् is a तत्पुरुष compound (पानेन/पानसहितं संयुतम्).
FAQs
A hunter (vyādha) is described, being spoken to by his beloved/wife (priyā) and then departing quickly.
It reflects a household norm of hospitality and orderly serving—prioritizing the guest/other person first, then offering a complete meal (food with drink).
Not directly; it is primarily narrative and domestic in tone, supporting the surrounding story context rather than presenting explicit theology or sacred-geography instruction.