Shloka 72
The Sin of Breaking Households: Citrā’s Past Karma and the Remedy of Hari’s Name and Meditation
त्रैलोक्यं पश्यते सर्वं स्वस्थानस्थः स्वतेजसा । केवलज्ञानरूपोऽयं मया ते परिकीर्तितः
trailokyaṃ paśyate sarvaṃ svasthānasthaḥ svatejasā | kevalajñānarūpo'yaṃ mayā te parikīrtitaḥ
ดำรงอยู่ในฐานะของตนเอง เขาย่อมเห็นไตรโลกทั้งสิ้นด้วยรัศมีของตน นี่แหละผู้มีสภาวะเป็นญาณบริสุทธิ์ล้วน ซึ่งเราได้กล่าวแก่ท่านแล้ว
Unspecified (context not provided in input; likely the primary narrator addressing a listener in the chapter’s dialogue frame)
Concept: Established in one’s own true station (svathāna), one perceives the whole cosmos through self-born radiance; the realized principle is of the nature of kevala-jñāna.
Application: Stabilize daily conduct (svadharma, regular sādhana) so insight becomes steady; cultivate 'witnessing' during work—seeing situations without losing one’s center.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A luminous sage stands unmoving on a small lotus pedestal labeled 'svathāna', while three vast spheres—earth, mid-sky, and heaven—unfurl like transparent mandalas around him. From his brow and heart streams a quiet radiance that becomes an all-seeing net of light, revealing cities, forests, oceans, and celestial courts simultaneously.","primary_figures":["a realized sage (jñānī-bhakta)","symbolic three-world mandalas","subtle Vishnu presence as a light-source behind the cosmos"],"setting":"cosmic space rendered as layered mandalas with faint earthly landscapes and celestial palaces","lighting_mood":"divine radiance","color_palette":["sapphire blue","pearl white","sun-gold","smoky violet","emerald green"],"tanjore_prompt":"Tanjore painting style: central luminous sage on a lotus base, three concentric cosmic rings for the three worlds, heavy gold leaf for the radiance-web; rich reds/greens in miniature earthly scenes within the rings, gem-like highlights, traditional iconographic symmetry with a faint Vishnu aura above.","pahari_prompt":"Pahari miniature style: refined sage with delicate features, the three worlds painted as soft circular vignettes—mountains, rivers, and celestial terraces—floating in a cool indigo sky; subtle white-gold wash for svatejas, lyrical and airy composition.","kerala_mural_prompt":"Kerala mural style: bold outlines, concentric circles for trailokya, stylized palaces and forests; the sage’s radiance as thick ochre-gold bands; large expressive eyes, temple-wall palette of red/yellow/green with black contouring.","pichwai_prompt":"Pichwai cloth painting style: mandala-like trailokya around a central lotus-seated figure; dense floral borders with lotus and tulasi motifs; deep blue background with gold stippling; peacocks and cows in the earthly ring, apsaras in the heavenly ring, all unified by a central chakra-like radiance."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["tanpura drone","conch shell (soft, distant)","temple bells","expansive silence"]}
Sandhi Resolution Notes: केवलज्ञानरूपोऽयं = केवलज्ञानरूपः + अयम् (विसर्ग-लोपः, अवग्रहः); (IAST: rūpo'yaṃ).
FAQs
It conveys omniscient perception that does not depend on physical movement—knowledge that is immediate, inward, and self-luminous.
It describes an entity whose essential identity is undivided knowledge—unmixed with limitation—often used to indicate supreme or perfected consciousness.
Cultivate inner clarity and steadiness: true insight is portrayed as arising from one’s own disciplined, luminous awareness rather than external striving alone.