Shloka 87
Womb-Suffering and the Path to Liberation
Dialogue of Wisdom, Meditation, and Discernment
विवेक उवाच । भवाञ्छुद्धोसि निर्द्वन्द्वो ह्यपापोसि जगत्पते । एनं गच्छ महात्मानं वीतरागं सुखप्रदम्
viveka uvāca | bhavāñchuddhosi nirdvandvo hyapāposi jagatpate | enaṃ gaccha mahātmānaṃ vītarāgaṃ sukhapradam
วิเวกะกล่าวว่า: “โอ้พระผู้เป็นเจ้าแห่งโลก ท่านบริสุทธิ์ ปราศจากความเป็นคู่ตรงข้ามทั้งปวง และไร้มลทินแห่งบาป จงไปหา มหาตมะผู้นั้น ผู้สิ้นราคะยึดติด และเป็นผู้ประทานสุข”
Viveka
Concept: Approach the vītarāga mahātmā; equanimity and sinlessness are signs of fitness for liberating instruction, and the realized guide bestows sukha by pointing beyond attachment.
Application: Seek counsel from steady, non-reactive devotees/teachers; measure guidance by whether it reduces rāga-dveṣa and increases clarity, compassion, and remembrance of the Lord.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A serene forest hermitage where Viveka, personified as a luminous sage, addresses the ‘Lord of the world’—a regal yet humble seeker—urging him toward a seated mahātmā whose stillness radiates freedom from attachment. The mahātmā’s presence calms the air: leaves hang motionless, and even wild animals rest nearby, suggesting the ‘sukha-prada’ aura of realized peace.","primary_figures":["Viveka (as a sage-personification)","a humble royal seeker addressed as jagatpati","Vītarāga Mahātmā (realized ascetic)"],"setting":"Forest āśrama with a simple kuṭīra, kusa-grass seat, and a small water-pot; distant river glint implied but not named.","lighting_mood":"forest dappled","color_palette":["sandalwood beige","leaf green","ochre","smoky gray","soft gold"],"tanjore_prompt":"Tanjore painting style: Viveka as a haloed sage gestures toward a vītarāga mahātmā seated in padmāsana; the royal seeker bows with folded hands; gold leaf embellishment on halos and ornaments, rich reds and greens in garments, gem-studded jewelry on the seeker, traditional South Indian iconographic symmetry, ornate arch framing the hermitage scene.","pahari_prompt":"Pahari miniature style: a quiet Himalayan-forest hermitage with delicate brushwork; Viveka points the way to a calm ascetic; refined faces, lyrical trees and birds, cool greens and muted blues, thin white outlines, gentle atmospheric depth.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments; Viveka and the seeker in profile with characteristic large eyes; the mahātmā centered, serene; red/yellow/green palette with stylized vines and lotus medallions around the border.","pichwai_prompt":"Pichwai cloth painting style: transform the ‘mahātmā as living tīrtha’ into a devotional tableau—central calm figure under a flowering tree with lotus motifs; ornate floral borders, deep blues and gold; peacocks and cows resting peacefully to signify śānti; subtle Vaishnava tilaka motifs on attendants."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bells","forest birds","gentle breeze","distant conch shell","silence between phrases"]}
Sandhi Resolution Notes: भवाञ्छुद्धोसि = भवान् + शुद्धः + असि; निर्द्वन्द्वो = निर्द्वन्द्वः (विसर्ग-लोप); ह्यपापोसि = हि + अपापः + असि; जगत्पते = जगत् + पते (समास); वीतरागं = वीत + रागम् (समास)
FAQs
The verse praises purity (śuddhatva), freedom from dualities (nirdvandvatā), sinlessness (apāpatā), and detachment (vītarāgatā) as marks of spiritual maturity.
The verse refers to an exemplary realized person (mahātmā) characterized by freedom from attachment (vītarāga) and the capacity to bring peace or happiness (sukhaprada). The specific identity depends on the surrounding narrative context of Adhyaya 8.
It teaches that one should seek guidance and refuge in those who are detached, steady beyond opposites, and oriented toward the welfare and inner happiness of others.