Shloka 47
The Account of Sukalā (Vena-Episode Continuation): Padmāvatī, Gobhila’s Deception, and the Threat of a Curse
ब्राह्मण्युवाच । एवमुक्ता गतापश्यत्सुमुखं लज्जयान्विता । समालिंग्य ततो दैत्यः सतीं पद्मावतीं तदा
brāhmaṇyuvāca | evamuktā gatāpaśyatsumukhaṃ lajjayānvitā | samāliṃgya tato daityaḥ satīṃ padmāvatīṃ tadā
พราหมณีกล่าวว่า: ครั้นกล่าวดังนี้แล้ว นางผู้มีพักตร์งามซึ่งเปี่ยมด้วยความละอายก็จากไป แล้วในกาลนั้นเอง อสูรได้โอบกอดนางปัทมาวตีผู้มีศีล
Brāhmaṇī (female brāhmaṇa narrator/speaker)
Concept: Lajja (modesty) and satītva (chastity/virtue) are portrayed as vulnerable when adharma intrudes; the narrative sets up the moral contrast between sādhvī and daitya.
Application: Treat consent and protection of the vulnerable as dharmic imperatives; cultivate vigilance and seek righteous support when boundaries are threatened.
Primary Rasa: karuna
Secondary Rasa: shringara
Visual Art Cues: {"scene_description":"A modest, fair-faced Padmāvatī turns away, her veil drawn, eyes lowered in shame and fear, as the looming daitya closes in. The moment freezes at the threshold between decorum and violation—her virtue symbolized by a lotus slipping from her hand, while the demon’s shadow falls across it.","primary_figures":["Padmāvatī","Gobhila (daitya)","Brāhmaṇī narrator (as witnessing presence, optional)"],"setting":"A palace corridor or garden passage leading to a secluded grove; carved pillars, jasmine creepers, and a half-open doorway suggesting impending confinement.","lighting_mood":"forest dappled","color_palette":["lotus pink","ashen gray","deep maroon","antique gold","indigo shadow"],"tanjore_prompt":"Tanjore painting style: Padmāvatī in silk sari with modest veil and lotus in hand recoiling at the edge of a palace garden, Gobhila as a dark, imposing daitya reaching forward; gold leaf halo-like ornamentation around the lotus and jewelry, rich reds and greens, gem-studded borders, traditional South Indian iconography emphasizing moral contrast.","pahari_prompt":"Pahari miniature style: a lyrical palace-garden scene with delicate brushwork—Padmāvatī stepping away with downcast eyes, Gobhila’s figure partially obscured by a pillar casting a long shadow; cool palette with refined facial features, flowering vines, and a quiet tension in the composition.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments—Padmāvatī with large expressive eyes turned away, Gobhila with exaggerated asuric features; temple-wall aesthetic, red/yellow/green dominance, symbolic lotus motif near her feet, dramatic moral polarity.","pichwai_prompt":"Pichwai cloth painting style: allegorical rendering—Padmāvatī as a lotus-like sādhvī figure at the border of a garden of lotuses, dark asuric presence encroaching; intricate floral borders, deep blues and gold, peacocks startled, emphasizing threatened purity rather than explicit violence."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low temple drum","distant conch shell","rustling leaves","ominous silence"]}
Sandhi Resolution Notes: ब्राह्मण्युवाच = ब्राह्मणी + उवाच; गतापश्यत्सुमुखं = गता + अपश्यत् + सुमुखम्; लज्जयान्विता = लज्जया + अन्विता
FAQs
The speaker is a brāhmaṇī (“brāhmaṇyuvāca”), indicating a female narrator continuing the account and marking a shift into reported action within the story.
The verse foregrounds lajjā (modesty) and satītva (virtue/chastity) as qualities attributed to Padmāvatī, presenting her character in moral terms even as the plot advances.
Not directly. This line is primarily narrative, describing characters and actions; any broader theological teaching would come from the surrounding verses and the episode’s outcome.