Shloka 36
Episode of Vena: The Power of Association and Revā (Narmadā) Tīrtha
सूत उवाच । तेषामेवं हि संसर्गादृषीणां च महात्मनाम् । संभाषाद्दर्शनान्नष्टं स्पर्शाच्चैव नृपस्य च
sūta uvāca | teṣāmevaṃ hi saṃsargādṛṣīṇāṃ ca mahātmanām | saṃbhāṣāddarśanānnaṣṭaṃ sparśāccaiva nṛpasya ca
สูตะกล่าวว่า: แท้จริง ด้วยการคบหาสมาคมเช่นนั้นกับฤๅษีมหาตมะเหล่านั้น—ด้วยการสนทนา ด้วยการได้เห็น และแม้ด้วยการสัมผัส—มลทิน/ความทุกข์ของพระราชาก็สิ้นไป
Sūta
Concept: Even simple modes of contact with saints—conversation, sight, and touch—can dissolve impurity and suffering.
Application: Prioritize respectful listening to realized teachers; practice ‘darśana’ as attentive presence; cultivate speech that uplifts when in holy company.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A troubled king approaches a grove hermitage where great-souled sages sit in calm meditation. As he bows, one sage gently touches his head; the king’s shadowy aura lifts like mist, replaced by a clear, luminous glow, while other sages offer compassionate words.","primary_figures":["Sūta (narrator presence implied)","mahātmā ṛṣis","king (nṛpa)"],"setting":"Forest āśrama with kuśa grass seats, a small pond, deer nearby, and a simple hut; manuscripts and a water pot beside the sages.","lighting_mood":"forest dappled","color_palette":["leaf green","ochre","smoke gray","ivory","sunlit gold"],"tanjore_prompt":"Tanjore painting style: a royal figure kneeling before seated sages in an ornate yet sacred composition; gold leaf halos around sages, rich maroon and emerald garments, stylized forest backdrop; the sage’s hand touching the king’s head with a radiant gold aura; decorative arch and floral motifs, gem-like detailing on the king’s crown subdued to show humility.","pahari_prompt":"Pahari miniature style: intimate hermitage scene with delicate lines; the king in simple posture, sages under a tree, soft dappled light; subtle visual of impurity as faint gray wash dissipating; refined faces, gentle gestures, lyrical naturalism with birds and a small pond.","kerala_mural_prompt":"Kerala mural style: bold outlines, sages with prominent eyes and calm expressions; the king’s transformation shown by shifting from dark to bright tones; warm yellow halo around the touching hand; stylized trees and āśrama elements, red/yellow/green dominant pigments.","pichwai_prompt":"Pichwai cloth painting style: devotional framing with floral borders; sages arranged symmetrically like a sacred assembly; the king at center receiving sparśa; lotus motifs and hanging lamps; deep blue background with gold highlights, emphasizing grace transmitted through holy contact."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["forest birds","rustling leaves","soft hand drum (mridang)","flowing water","brief silence after key words"]}
Sandhi Resolution Notes: तेषामेवम् = तेषाम् + एवम्; संसर्गादृषीणाम् = संसर्गात् + ऋषीणाम्; संभाषाद्दर्शनात् = संभाषात् + दर्शनात्; दर्शनान्नष्टम् = दर्शनात् + नष्टम्; स्पर्शाच्चैव = स्पर्शात् + च + एव; तस्मिन्प्रतिष्ठितः (next verse) not here.
FAQs
It teaches that contact with realized sages—through conversation, seeing them (darśana), and even touch—has the power to remove a king’s impurity or affliction.
In Purāṇic thought, sages embody dharma and tapas; engaging them through speech and sight transmits upliftment, clarity, and purification to the seeker.
Seek ennobling company: keeping association with virtuous, wise people is presented as a direct means to overcome inner faults and restore right conduct.