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Shloka 64

Narrative of King Pṛthu: Chastising and Milking the Earth

गंधर्वैरप्सरोभिश्च पुनर्दुग्धा वसुंधरा । कृत्वा वत्सं सुविद्वांसं तैश्च चित्ररथं पुनः

gaṃdharvairapsarobhiśca punardugdhā vasuṃdharā | kṛtvā vatsaṃ suvidvāṃsaṃ taiśca citrarathaṃ punaḥ

ครั้นแล้วเหล่าคันธรรพ์และอัปสราทั้งหลายได้รีดน้ำนมจากพระแม่ธรณีอีกครั้ง; ตั้งผู้รู้ยิ่งเป็นลูกโค แล้วรีดอีกคราวพร้อมด้วยจิตรารถะ

गन्धर्वैःby gandharvas
गन्धर्वैः:
Karana (Instrument/करण)
TypeNoun
Rootगन्धर्व (प्रातिपदिक)
Formपुंलिङ्गे तृतीया-विभक्तिः, बहुवचनम्
अप्सरोभिःby apsarases
अप्सरोभिः:
Karana (Instrument/करण)
TypeNoun
Rootअप्सरस् (प्रातिपदिक)
Formस्त्रीलिङ्गे तृतीया-विभक्तिः, बहुवचनम्
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
पुनःagain
पुनः:
Sambandha (Adverbial)
TypeIndeclinable
Rootपुनः (अव्यय)
Formक्रियाविशेषण-अव्यय (adverb: again)
दुग्धाwas milked
दुग्धा:
Kriya (Predicate/क्रिया-भाव)
TypeVerb
Rootदुह् (धातु)
Formभूतकर्मणि कृदन्तः (क्त-प्रत्ययान्त past passive participle), स्त्रीलिङ्गे प्रथमा-विभक्तिः, एकवचनम्; ‘दुग्धा (अभवत्)’
वसुंधराthe earth
वसुंधरा:
Karta (Subject/कर्ता)
TypeNoun
Rootवसु + धरा (प्रातिपदिक)
Formस्त्रीलिङ्गे प्रथमा-विभक्तिः, एकवचनम्; षष्ठी-तत्पुरुषः (वसूनां धरा)
कृत्वाhaving made
कृत्वा:
Purvakala (Prior action)
TypeVerb
Rootकृ (धातु)
Formक्त्वा-प्रत्ययान्त अव्यय-भाव (gerund/absolutive)
वत्सम्a calf
वत्सम्:
Karma (Object/कर्म)
TypeNoun
Rootवत्स (प्रातिपदिक)
Formपुंलिङ्गे द्वितीया-विभक्तिः, एकवचनम्
सुविद्वांसम्very learned
सुविद्वांसम्:
Karma (Object complement)
TypeAdjective
Rootसु + विद्वांस् (प्रातिपदिक)
Formपुंलिङ्गे द्वितीया-विभक्तिः, एकवचनम्; कर्मधारयः (सु-विद्वान् = very learned)
तैःby them
तैः:
Karana (Instrument/करण)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसकलिङ्गे तृतीया-विभक्तिः, बहुवचनम्; सर्वनाम
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
चित्ररथम्Citraratha
चित्ररथम्:
Karma (Object/कर्म)
TypeNoun
Rootचित्र + रथ (प्रातिपदिक)
Formपुंलिङ्गे द्वितीया-विभक्तिः, एकवचनम्; कर्मधारयः (चित्रः रथः यस्य/चित्ररथः) विशेष-नाम
पुनःagain
पुनः:
Sambandha (Adverbial)
TypeIndeclinable
Rootपुनः (अव्यय)
Formक्रियाविशेषण-अव्यय (adverb: again)

Pulastya (to Bhīṣma) [contextual attribution typical to Bhūmi-khaṇḍa narration]

Concept: Refinement of mind and art can draw subtle blessings from the world; purity of approach transforms what is received.

Application: Cultivate learning and the arts as sādhana: let speech and music become truthful, uplifting, and devotional rather than ego-driven entertainment.

Primary Rasa: adbhuta

Secondary Rasa: shringara

Type: celestial_realm

Visual Art Cues: {"scene_description":"Gandharvas and Apsarases gather in a radiant meadow above the clouds, gently 'milking' Vasundharā in a symbolic rite. Their vessel gleams like a lotus, and from Earth flows not liquid but visible waves of melody—golden notes and floral motifs—while Citraratha presides with a veena-like instrument.","primary_figures":["Gandharvas","Apsarases","Vasundharā (symbolic cow-form)","Citraratha","Suvijñāna (the 'very learned' calf, personified as a sage-like figure or symbolic calf with script motifs)"],"setting":"Celestial garden with flowering trees, cloud terraces, and jeweled pavilions; lotus-vessel placed on a pedestal of crystal.","lighting_mood":"divine radiance","color_palette":["sapphire blue","lotus pink","gold leaf","pearl white","emerald green"],"tanjore_prompt":"Tanjore painting style: Citraratha enthroned with veena, surrounded by apsarases in dance poses; Vasundharā-cow adorned with gold ornaments; the 'milk' depicted as flowing golden musical notes into a lotus vessel; heavy gold leaf halos, rich reds/greens, gem-studded crowns, ornate arch frame.","pahari_prompt":"Pahari miniature style: airy cloudscape with delicate floral borders; slender apsarases in pastel garments, Gandharvas with instruments; subtle depiction of music as curling golden lines entering a lotus cup; cool blues and pinks, refined facial features, lyrical naturalism.","kerala_mural_prompt":"Kerala mural style: bold outlines and rhythmic composition; Citraratha central with instrument, apsarases flanking; Vasundharā-cow stylized; musical flow rendered as patterned gold-yellow bands; temple-wall narrative feel with red/yellow/green dominance.","pichwai_prompt":"Pichwai cloth painting style: central lotus-vessel overflowing with stylized musical motifs; Gandharvas as Krishna-like musicians around it; dense lotus and vine borders, peacocks and swans in corners, deep blue ground with gold and pink highlights, celebratory devotional ambience."}

Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["veena phrases","ankle bells (ghunghru)","soft temple bells","tanpura drone","gentle breeze"]}

Sandhi Resolution Notes: गंधर्वैरप्सरोभिश्च = गन्धर्वैः + अप्सरोभिः + च; पुनर्दुग्धा = पुनः + दुग्धा; तैश्च = तैः + च

G
Gandharvas
A
Apsarases
V
Vasundharā (Earth)
C
Citraratha

FAQs

It is a mythic metaphor for drawing specific resources, powers, or benefits from the Earth, with different beings “milking” her in different ways according to their nature.

Gandharvas are celestial musicians and Apsarases are celestial nymphs in Puranic cosmology; they often appear in narratives about divine arts, pleasures, and heavenly courts.

The motif suggests that nature yields results according to the method and intention of the seeker—disciplined, knowledgeable engagement (symbolized by the “learned calf”) enables the drawing forth of higher or more refined outcomes.