Shloka 27
Bala: The Rise and Slaying of the Dānava
and the Devas’ Restoration
चकार नाम मेधावी तस्य पुत्रस्य सत्तमः । बलमित्यब्रवीत्पुत्रं नामतः सदृशो महान्
cakāra nāma medhāvī tasya putrasya sattamaḥ | balamityabravītputraṃ nāmataḥ sadṛśo mahān
บุรุษผู้มีปัญญาและประเสริฐนั้นได้ตั้งนามแก่บุตรของตน เขาเรียกบุตรว่า “พละ” (Bala) และเด็กผู้ยิ่งใหญ่นั้นก็สมดังนามจริง
Narrator (contextual speaker not specified in the provided excerpt)
Concept: Name (nāma) aligns with nature (svabhāva) and destiny (bhāgya); a wise elder’s blessing shapes the child’s dharmic trajectory.
Application: Choose words and labels carefully—names, titles, self-talk—so they uplift character; offer blessings that call forth virtue rather than ego.
Primary Rasa: adbhuta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"Kaśyapa, serene and authoritative, performs the naming rite beside a small altar, touching the infant’s forehead with a kusa tip dipped in water. The child’s aura subtly suggests strength, while attendants hold a lamp and a tray of flowers, capturing the moment when ‘Bala’ becomes both name and prophecy.","primary_figures":["Kaśyapa","Infant Bala","Diti","Attendants (optional)"],"setting":"Hermitage altar space with ritual tray (flowers, rice), lamp, water vessel, and kusa grass; simple carved wooden cradle nearby","lighting_mood":"golden dawn","color_palette":["antique gold","crimson red","leaf green","pearl white","midnight blue"],"tanjore_prompt":"Tanjore painting style: Kaśyapa with gold-leaf halo naming the infant; ornate altar arch with embossed gold; rich reds and greens, gem-studded ornaments, stylized lamp flames; the word ‘Bala’ suggested as decorative calligraphy motif in the border.","pahari_prompt":"Pahari miniature style: intimate samskāra scene with delicate brushwork; soft dawn light entering from a doorway; refined faces, detailed ritual items; gentle forest backdrop beyond the hermitage.","kerala_mural_prompt":"Kerala mural style: bold outlines and flat pigments; Kaśyapa’s gesture emphasized; infant in cradle with stylized aura; symmetrical ritual objects and floral borders in red/yellow/green palette.","pichwai_prompt":"Pichwai cloth painting style: central naming vignette framed by lotus and floral borders; hanging lamps, peacocks in the border corners; deep blue ground with gold accents; auspicious motifs (kalasha, lotus) repeated rhythmically."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["soft bell","mantra murmurs","conch shell (faint)","flower petals falling","quiet cradle creak"]}
Sandhi Resolution Notes: ityabravītputraṃ = iti + abravīt + putram; (visarga not present; vowel sandhi i+a→ya).
FAQs
It describes the naming of a son as “Bala” and notes that the child’s greatness matched the meaning of his name—strength.
Yes. It reflects the common Sanskrit-epic idea that a name can be meaningful and that a person may embody (sadṛśa) the quality signified by that name.
Names and identity are presented as aligned with character: one should cultivate qualities worthy of one’s reputation and designation.