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Narada Purana — Purva Bhaga, Shloka 75

The Exposition of the Maheśa Mantra

Mahēśa-mantra-prakāśana

गुह्ययुग्मोरुयुग्मेषु जानुजंघास्फिजोः पुनः । कट्यां पार्श्वद्वये वामकला न्यस्येत्त्रयोदश ॥ ७५ ॥

guhyayugmoruyugmeṣu jānujaṃghāsphijoḥ punaḥ | kaṭyāṃ pārśvadvaye vāmakalā nyasyettrayodaśa || 75 ||

พึงวางนยาสะแห่งวาม-กะลา ณ คู่แห่งอวัยวะลับและคู่แห่งต้นขา อีกทั้งที่เข่า หน้าแข้ง และสะโพก; แล้วที่เอวและสีข้างทั้งสอง—ดังนี้เป็นนยาสะลำดับที่สิบสาม.

गुह्य-युग्म-ऊरु-युग्मेषुin the pair of groins and the pair of thighs
गुह्य-युग्म-ऊरु-युग्मेषु:
Adhikarana (अधिकरण)
TypeNoun
Rootगुह्य (प्रातिपदिक) + युग्म (प्रातिपदिक) + ऊरु (प्रातिपदिक) + युग्म (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (अधिकरण/Locative), बहुवचन; समासः—षष्ठी/तत्पुरुषः (guhya-yugma + ūru-yugma)
जानु-जङ्घा-स्फिजोःat the knees, shanks, and hips (dual set)
जानु-जङ्घा-स्फिजोः:
Adhikarana (अधिकरण)
TypeNoun
Rootजानु (प्रातिपदिक) + जङ्घा (प्रातिपदिक) + स्फिज् (प्रातिपदिक)
Form(समाहार/इतरेतर) द्वन्द्वसमास; द्विवचन-रूपं, षष्ठी/सप्तमी-सम्भाव्य (contextual locative sense); रूपम्: -योः (Dual oblique)
पुनःagain; further
पुनः:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootपुनः (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb)
कट्याम्on the waist
कट्याम्:
Adhikarana (अधिकरण)
TypeNoun
Rootकटि (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (Locative/अधिकरण), एकवचन
पार्श्व-द्वयेon the two sides (both flanks)
पार्श्व-द्वये:
Adhikarana (अधिकरण)
TypeNoun
Rootपार्श्व (प्रातिपदिक) + द्वय (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (Locative/अधिकरण), एकवचन; समासः—षष्ठी/तत्पुरुषः (of the sides = pair of sides)
वाम-कलाthe left kalā (energy/part)
वाम-कला:
Karma (कर्म)
TypeNoun
Rootवाम (प्रातिपदिक) + कला (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (Nominative), एकवचन; कर्मधारयः (वामा एव कला)
न्यस्येत्should place
न्यस्येत्:
Kriya (क्रिया)
TypeVerb
Rootनि + अस् (धातु) (न्यास/स्थापनार्थे)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन; परस्मैपद; अर्थः—‘स्थापयेत्/न्यसेत्’
त्रयोदशthirteen
त्रयोदश:
Visheshana (विशेषण)
TypeAdjective
Rootत्रयोदश (संख्याशब्द, प्रातिपदिक)
Formसंख्यावाचक; (द्विगु-समास) अव्ययवत्/विशेषणरूपेण; (implicit) ‘कलाः’ इत्यस्य विशेषणम्

Narada (teaching a technical nyāsa procedure in the Vedāṅga/ritual context)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: bhakti

FAQs

It teaches bodily sanctification through nyāsa—mapping sacred power (kalā/mantra) onto the practitioner’s limbs so the body becomes a fit support for worship and concentration.

By prescribing disciplined preparatory worship (aṅga-śuddhi through nyāsa), it supports steady devotion: the devotee honors the Divine by ritual purity, focus, and reverent embodiment before japa or pūjā.

It highlights applied ritual procedure (prayoga) and mantra-nyāsa conventions—an example of technical religious science aligned with Vedāṅga-style precision in recitation and placement.