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Narada Purana — Purva Bhaga, Shloka 103

The Exposition of the Maheśa Mantra

Mahēśa-mantra-prakāśana

सिंदूराभं लसद्रत्नमुकुटं चन्द्रमौलिनम् । दिव्यभूषांगरागं च नागयज्ञोपवीतिनम् ॥ १०३ ॥

siṃdūrābhaṃ lasadratnamukuṭaṃ candramaulinam | divyabhūṣāṃgarāgaṃ ca nāgayajñopavītinam || 103 ||

พระองค์มีพระวรกายดุจสีชาด (สินทูระ) ทรงสวมมงกุฎประดับรัตนะอันเรืองรอง เป็นจันทรเมาลีคือทรงมีจันทร์เป็นมงคลบนเศียร; ทรงประดับด้วยเครื่องอลังการทิพย์และเครื่องหอมทาผิว; และทรงมีนาคเป็นยัชโญปวีต (สายศักดิ์สิทธิ์) พาดกาย।

सिन्दूर-आभम्vermilion-hued
सिन्दूर-आभम्:
Visheshana (विशेषण)
TypeAdjective
Rootसिन्दूर + आभ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; ‘आभ’ = सदृश/प्रभा-युक्त
लसत्-रत्न-मुकुटम्a crown with shining jewels
लसत्-रत्न-मुकुटम्:
Karma (कर्म)
TypeNoun
Rootलसत् (√लस् धातु, शतृ) + रत्न + मुकुट (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; ‘लसत्’ = वर्तमानकाले दीप्तिमत्; समासः—दीप्त-रत्नयुक्तं मुकुटम्
चन्द्र-मौलिनम्one who has the moon on his head
चन्द्र-मौलिनम्:
Visheshana (विशेषण)
TypeAdjective
Rootचन्द्र + मौलिन् (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; बहुव्रीहिः—‘चन्द्रः मौलौ यस्य सः’
दिव्य-भूषा-अङ्ग-रागम्with divine ornaments and body-unguent
दिव्य-भूषा-अङ्ग-रागम्:
Visheshana (विशेषण)
TypeAdjective
Rootदिव्य + भूषा + अङ्ग + राग (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; बहुपद-तत्पुरुषः—दिव्याः भूषाः, दिव्यः अङ्गरागः (लेपः) यस्य/यत्र
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
नाग-यज्ञोपवीतिनम्wearing a serpent as the sacred thread
नाग-यज्ञोपवीतिनम्:
Visheshana (विशेषण)
TypeAdjective
Rootनाग + यज्ञोपवीतिन् (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; ‘यज्ञोपवीतिन्’ = यज्ञोपवीतधारी; नाग-रूपं यज्ञोपवीतं यस्य

Sanatkumara (narration within the Narada–Sanatkumara dialogue)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: bhakti

S
Shiva
C
Chandra

FAQs

It presents a dhyāna-style description of a deity’s auspicious marks—vermilion radiance, moon-crest, divine ornaments—guiding the mind toward concentrated remembrance (smaraṇa) and reverence in worship.

By supplying vivid attributes for contemplation, it supports devotional practice through form-based meditation (saguṇa-upāsanā), where the devotee steadies attention on sacred iconographic features during japa and pūjā.

The verse reflects practical ritual vocabulary used in Purāṇic worship—especially the symbolism of yajñopavīta (sacred thread) and bodily anointing (aṅgarāga)—useful for correct pūjā procedure and dhyāna-vidhi.