Previous Verse
Next Verse

Narada Purana — Purva Bhaga, Shloka 59

Nityā-paṭala-prakaraṇa

The Exposition of the Nityā-paṭala

मातृकासहितां विग्नां त्रिरावृत्त्यामृतात्मिकाम् । ताडीं सारस्वतीं जिह्वां दीपाकारां स्मरन्पिबेत् ॥ ५९ ॥

mātṛkāsahitāṃ vignāṃ trirāvṛttyāmṛtātmikām | tāḍīṃ sārasvatīṃ jihvāṃ dīpākārāṃ smaranpibet || 59 ||

เมื่อระลึกถึงลิ้นว่าเป็นพระสรัสวตีสว่างดุจเปลวประทีป และเป็นตาฑี (นาฑีแห่งวาจาภายใน) พึงดื่มกระแสอมฤตซึ่งพร้อมด้วยมาตฤกา ขจัดอุปสรรคได้ด้วยการสวดซ้ำสามครั้ง

मातृका-सहिताम्accompanied by the मातृकās
मातृका-सहिताम्:
Karma (कर्म)
TypeAdjective
Rootमातृका + सहित (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति (कर्म), एकवचन; विशेषण (fem. acc. sg.)
विघ्नाम्(the goddess) Vighnā
विघ्नाम्:
Karma (कर्म)
TypeNoun
Rootविघ्ना (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन (fem. acc. sg.)
त्रिः-आवृत्ति-अमृत-आत्मिकाम्whose nature is nectar through triple repetition
त्रिः-आवृत्ति-अमृत-आत्मिकाम्:
Karma (कर्म)
TypeAdjective
Rootत्रिः (अव्यय) + आवृत्ति + अमृत + आत्मिका (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषण (fem. acc. sg.); समासः—तत्पुरुष (निर्देश/विशेषण-समास)
ताडीम्Tāḍī (a śakti/letter-form)
ताडीम्:
Karma (कर्म)
TypeNoun
Rootताडी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन
सारस्वतीम्Sārasvatī
सारस्वतीम्:
Karma (कर्म)
TypeNoun
Rootसारस्वती (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन
जिह्वाम्the tongue
जिह्वाम्:
Karma (कर्म)
TypeNoun
Rootजिह्वा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन
दीप-आकाराम्having the form of a lamp
दीप-आकाराम्:
Karma (कर्म)
TypeAdjective
Rootदीप + आकार (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषण; समासः—तत्पुरुष (षष्ठी/उपमानार्थ)
स्मरन्remembering
स्मरन्:
Karta (कर्ता)
TypeVerb
Rootस्मृ (धातु)
Formवर्तमान-कृदन्त (शतृ-प्रत्यय), प्रथमा, एकवचन, पुंलिङ्ग; क्रियाविशेषण-भावे—‘remembering’
पिबेत्should drink
पिबेत्:
Kriya (क्रिया)
TypeVerb
Rootपा (धातु)
Formविधिलिङ् (Optative), प्रथम-पुरुष, एकवचन; परस्मैपद

Sanatkumara (teaching Narada in the Vedanga/technical-practice section)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

S
Sarasvatī
M
Mātr̥kā (syllabic deities/phonemes)

FAQs

It teaches a subtle mantra-phonetic meditation: by contemplating speech as Sarasvatī and invoking the Mātr̥kā-syllables with thrice-repeated practice, the aspirant internalizes an “amṛta-like” current that removes obstacles and refines consciousness.

Bhakti here is expressed as reverent remembrance of divine Śakti in speech—seeing the tongue as Sarasvatī and treating recitation as sacred—so devotion becomes disciplined japa that purifies and makes practice obstacle-free.

Śikṣā (Vedic phonetics) and mantra-prayoga: correct, repeated recitation (tri-āvṛtti) and contemplation of phonemes (mātr̥kā) as living powers, linking sound-discipline to inner yogic experience.