The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
पाशवर्णशरीरा चाकुर्वर्णसुवपुर्द्धरा । त्रिखंडा स्थापनी सन्निरोधनी चावगुंठनी ॥ ४५ ॥
pāśavarṇaśarīrā cākurvarṇasuvapurddharā | trikhaṃḍā sthāpanī sannirodhanī cāvaguṃṭhanī || 45 ||
พระวรกายมีสีปาศวรรณะ (น้ำตาลแดงดุจทองแดง) และทรงรูปงามด้วยสีสว่างเรืองรอง; พระนางเป็นตรีขันฑา คือ สถาปนี (ผู้สถาปนา) สันนิโรธนี (ผู้ยับยั้ง) และอวคุณฑนี (ผู้ปกปิดคลุมเร้น) ด้วย।
Narada (teaching in a Vedanga-oriented discourse, traditionally in dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It describes a threefold operative principle—establishing, restraining, and veiling—showing how sacred power functions in ritual and inner discipline: it sets a form, contains it, and can also conceal it.
By implying that divine power can both reveal and veil, it points to Bhakti as the means to remove concealment (avaguṃṭhana) and stabilize the mind (sthāpana) while restraining distractions (sannirodhana).
A technical, mantra-śāstra style classification of functions (kriyā-śakti): how a ritual force is applied to establish (sthāpana), restrain (nirodha), and cover/occlude (avaguṃṭhana) within a procedure.