The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
एकावक्त्रा चतुर्वक्त्रा नवक्त्रा कलानना । पंचविंशतिवक्त्रा च षड्विंशद्वदना तथा ॥ १५३ ॥
ekāvaktrā caturvaktrā navaktrā kalānanā | paṃcaviṃśativaktrā ca ṣaḍviṃśadvadanā tathā || 153 ||
นางถูกพรรณนาว่ามีหนึ่งพักตร์ สี่พักตร์ เก้าพักตร์ และเป็นรูปแห่งศิลปะทั้งปวง; อีกทั้งมีพักตร์ยี่สิบห้า และมีพักตร์ยี่สิบหกด้วย
Sanatkumara (teaching Narada in a technical enumeration)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It presents a technical, contemplative classification of the Goddess’s forms, showing that the Divine can be approached through multiple iconographic and mantra-based manifestations rather than a single fixed image.
By listing many forms, it supports bhakti through chosen-form worship (iṣṭa-devatā upāsanā), allowing a devotee to focus devotion on a specific manifestation while recognizing the same Divine reality across forms.
The verse reflects the Purāṇic-technical style used in ritual manuals—precise enumerations important for mantra application and iconographic identification, aligning with the practical organization valued in Vedāṅga-oriented study.