Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
एकाक्षर्यनया सिद्धो जायते खेचरः क्षणात् । षड्दीर्घाढ्यां मूलविद्यां षडंगेषु प्रविन्यसेत् ॥ १९९ ॥
ekākṣaryanayā siddho jāyate khecaraḥ kṣaṇāt | ṣaḍdīrghāḍhyāṃ mūlavidyāṃ ṣaḍaṃgeṣu pravinyaset || 199 ||
ด้วยวิธีพยางค์เดียวนี้ ผู้ปฏิบัติที่บรรลุย่อมเป็น ‘เคจระ’ ผู้ท่องนภาได้ในชั่วขณะ แล้วพึงทำนยาสะวางมนตร์รากซึ่งประกอบด้วยสระยาวหกประการลงบนอวัยวะทั้งหกอย่างรอบคอบ
Sanatkumara (in instruction to Narada on mantra-vidyā/nyāsa within Vedāṅga-oriented technical teaching)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It highlights mantra-śakti as a rapid means to siddhi, emphasizing disciplined ritual application (nyāsa) of a root-mantra across the six limbs to stabilize and sanctify the practitioner’s body as a locus of sacred power.
Though framed as mantra-vidyā, it supports bhakti by treating the body and speech as instruments of sacred remembrance—placing the mūla-mantra through ṣaḍaṅga-nyāsa makes practice focused, reverential, and aligned to the deity-mantra relationship.
Śikṣā (phonetics) is implied through attention to dīrgha (long vowels) in the mantra, and kalpa/ritual method appears through the technical procedure of ṣaḍaṅga-nyāsa (precise placement and sequencing).