Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
प्राणस्तेजः स्थिरा वायुर्वायुश्चापि प्रभा तथा । ज्यकुमभ्रं तथा नादो दावकः पाथ इत्यथ ॥ १९ ॥
prāṇastejaḥ sthirā vāyurvāyuścāpi prabhā tathā | jyakumabhraṃ tathā nādo dāvakaḥ pātha ityatha || 19 ||
บัดนี้ตามคติสืบทอดได้แจกแจงนามว่า ปราณะ, เตชัส, สถิรา, วายุ, และวายุอีกครั้ง; อีกทั้ง ประภา, ชยกุมภระ, นาทะ, ดาวกะ (ไฟ), และ ปาถะ (การสวดอ่าน/ชปะ).
Sanatkumara (teaching Narada in a Vedanga/Śikṣā context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It frames mantra-recitation as a disciplined science where breath (prāṇa), inner heat/clarity (tejas), steadiness (sthiratā), and resonance (nāda) are treated as essential factors—showing that sacred sound is preserved through precise energetic and phonetic control.
While technical, it supports bhakti indirectly: devotion expressed through japa and pāṭha becomes effective and tradition-faithful when the reciter maintains steady mind and breath, producing clear nāda—turning worship into correct, potent mantra-offering.
Śikṣā (Vedāṅga phonetics): it emphasizes the mechanics behind correct chanting—breath control (prāṇa), resonance (nāda), and disciplined delivery (pātha)—all crucial for preserving Vedic sound and ritual accuracy.