Previous Verse
Next Verse

Narada Purana — Purva Bhaga, Shloka 98

The Description of the Four Durgā Mantras

आदाय तिलकं भाले कुर्य्याद्भूमिपतीन्नरान् । वनितामदगर्वाढ्या मदोन्मत्तान्मतंदजान् ॥ ९८ ॥

ādāya tilakaṃ bhāle kuryyādbhūmipatīnnarān | vanitāmadagarvāḍhyā madonmattānmataṃdajān || 98 ||

เมื่อทาติลกะบนหน้าผาก ย่อมทำให้มนุษย์เป็นเจ้าแผ่นดินได้; และยังทำให้สตรีที่พองด้วยความเมาและความทะนง ตลอดจนผู้ที่คลุ้มคลั่งด้วยอหังการดุจช้างตกมัน อยู่ในอำนาจได้

आदायhaving taken
आदाय:
Purvakala (पूर्वकाल)
TypeVerb
Rootआ-दा (धातु) → आदाय (क्त्वान्त/ल्यप्)
Formक्त्वान्त अव्ययकृदन्त (gerund/absolutive), ‘having taken’
तिलकम्tilaka mark/paste
तिलकम्:
Karma (कर्म)
TypeNoun
Rootतिलक (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
भालेon the forehead
भाले:
Adhikarana (अधिकरण)
TypeNoun
Rootभाल (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन
कुर्यात्should make/apply
कुर्यात्:
Kriya (क्रिया)
TypeVerb
Rootकृ (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन
भूमि-पतीन्kings/lords of the earth
भूमि-पतीन्:
Karma (कर्म)
TypeNoun
Rootभूमि (प्रातिपदिक) + पति (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), बहुवचन; तत्पुरुषः (षष्ठी-तत्पुरुषः: भूमेः पतयः)
नरान्men
नरान्:
Karma (कर्म)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), बहुवचन
वनिता-मद-गर्व-आढ्याःthose rich in pride from women’s intoxication (i.e., woman-proud)
वनिता-मद-गर्व-आढ्याः:
Visheshana (विशेषण)
TypeAdjective
Rootवनिता (प्रातिपदिक) + मद (प्रातिपदिक) + गर्व (प्रातिपदिक) + आढ्य (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), बहुवचन; बहुपद-तत्पुरुषः (वनितायाः मदः, तेन गर्वः, तेन आढ्याः)
मद-उन्मत्तान्intoxicated, frenzied with pride
मद-उन्मत्तान्:
Visheshana (विशेषण)
TypeAdjective
Rootमद (प्रातिपदिक) + उन्मत्त (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन; कर्मधारयः (मदेन उन्मत्ताः)
मतङ्गजान्elephants
मतङ्गजान्:
Karma (कर्म)
TypeNoun
Rootमतङ्ग (प्रातिपदिक) + ज (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन; तत्पुरुषः (मतङ्गात् जाताः = elephants)

Narada (teaching in a technical/ritual context within Book 1.3)

Vrata: none

Primary Rasa: vira

Secondary Rasa: adbhuta

FAQs

The verse presents tilaka as an auspicious dharmic marker whose power is not merely social but subtle—supporting authority, prosperity, and the pacification of unruly passions (pride, intoxication, arrogance).

Though Bhakti is not named directly, tilaka traditionally signifies dedication to a deity (often Vishnu). The verse implies that outward devotional signs, when aligned with inner discipline, can transform one’s destiny and steady the mind against vanity and ego.

It reflects applied ritual practice (a technical observance within the Vedanga-oriented section): correct use of auspicious bodily marks as part of dharmic conduct, emphasizing observable disciplines that support inner restraint and social order.