The Description of the Four Durgā Mantras
पुनः षोडश पत्रेषु पूज्याः षोडश शक्तयः । वामाद्याः कलवीणाभिर्गायंत्यः श्यामविग्रहाः ॥ १४२ ॥
punaḥ ṣoḍaśa patreṣu pūjyāḥ ṣoḍaśa śaktayaḥ | vāmādyāḥ kalavīṇābhirgāyaṃtyaḥ śyāmavigrahāḥ || 142 ||
อีกครั้งหนึ่ง บนกลีบดอกทั้งสิบหก พึงบูชาศักติทั้งสิบหก เริ่มด้วยวามา ผู้มีรูปกายสีเข้ม ขับขานบทสรรเสริญพร้อมเสียงวีณาอันไพเราะ।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents a meditative-ritual model where divine power is approached as sixteen Śaktis stationed on a sixteen-petalled lotus, indicating completeness of energy (śakti) and the harmonizing of devotion with inner visualization.
Bhakti here is expressed as reverent upāsanā—worshipping the Śaktis with attention, beauty, and sacred sound—where song and vīṇā symbolize heartfelt praise offered to the divine presence in a contemplated form.
It highlights ritual-technical procedure (upāsanā-vinyāsa): assigning deities/energies to specific loci (the sixteen petals) and using sacred sound (gāna) as an aid to concentration and correct performance.