Narada Purana — Purva Bhaga, Shloka 14
Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
द्रांद्रीं क्लींजूंस इति वैबाणेशबीजकं च कम् । द्राविणी क्षोभिणी वशीकरण्यांकर्षणी तथा ॥ १४ ॥
drāṃdrīṃ klīṃjūṃsa iti vaibāṇeśabījakaṃ ca kam | drāviṇī kṣobhiṇī vaśīkaraṇyāṃkarṣaṇī tathā || 14 ||
“ดราม”, “ดรีม”, และ “กลีม-ชูม-สะ”—เหล่านี้เป็นบีชะแห่งไวบาเณศะ และ “กัม” ด้วย ทั้งหมดนี้คือศักติชื่อ ทราวิณี, กษโภภิณี, วศีกรณี และ อากรรษณี।
Sage Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
This verse catalogs specific bīja-syllables and associates them with defined functional powers (wealth-bestowing, stirring, controlling, attracting), illustrating the Purana’s technical strand (Book 1.3) where sacred sound is treated as a disciplined tool within mantra-śāstra rather than mere poetry.
Indirectly: it shows that even technical mantra elements are meant to be situated within a dharmic framework taught by realized sages; in a bhakti context, such syllables are traditionally subordinated to purity, right intention, and devotion rather than used as ends in themselves.
Mantra-viniyoga style technical knowledge—how seed-syllables (bīja) are classified and how their stated results are named—aligning with the Narada Purana’s Book 1.3 focus on technical disciplines adjacent to Vedanga-oriented learning and ritual application.