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Narada Purana — Purva Bhaga, Shloka 21

Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā

विलिखेत्कर्णिकामध्ये षट्कोणमतिसुन्दरम् । ततः संपूजयेत्पीठं नवशक्तिसमन्वितम् ॥ २१ ॥

vilikhetkarṇikāmadhye ṣaṭkoṇamatisundaram | tataḥ saṃpūjayetpīṭhaṃ navaśaktisamanvitam || 21 ||

ในกลางเกสรดอกบัว พึงเขียนรูปหกเหลี่ยมอันงดงามยิ่ง แล้วจึงบูชาปีฐะอันศักดิ์สิทธิ์ซึ่งประกอบด้วยศักติทั้งเก้า ตามพิธีโดยครบถ้วน॥21॥

विलिखेत्should draw/inscribe
विलिखेत्:
Kriyā (क्रिया)
TypeVerb
Rootवि + लिख् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष, एकवचन
कर्णिका-मध्येin the lotus-pericarp’s center
कर्णिका-मध्ये:
Adhikarana (अधिकरण)
TypeNoun
Rootकर्णिका (प्रातिपदिक) + मध्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी विभक्ति (Locative/अधिकरण), एकवचन; षष्ठी-तत्पुरुष (कर्णिकायाः मध्ये)
षट्-कोणम्a hexagon
षट्-कोणम्:
Karma (कर्म)
TypeNoun
Rootषट् (संख्या-प्रातिपदिक) + कोण (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति (Accusative/कर्म), एकवचन; द्विगु-समास (षट् कोणाः यस्य)
अति-सुन्दरम्very beautiful
अति-सुन्दरम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootअति (अव्यय) + सुन्दर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन; अव्ययीभाव (अति + सुन्दर)
ततःthen
ततः:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; क्रम/अनन्तरवाचक क्रियाविशेषण (then/thereafter)
संपूजयेत्should worship
संपूजयेत्:
Kriyā (क्रिया)
TypeVerb
Rootसम् + पूज् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष, एकवचन
पीठम्pedestal/seat
पीठम्:
Karma (कर्म)
TypeNoun
Rootपीठ (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति (Accusative/कर्म), एकवचन
नव-शक्ति-समन्वितम्endowed with nine powers (śaktis)
नव-शक्ति-समन्वितम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootनव (संख्या-प्रातिपदिक) + शक्ति (प्रातिपदिक) + समन्वित (प्रातिपदिक/कृदन्त-विशेषण)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन; समासः (नव शक्तिभिः समन्वितम्)

Sanatkumara (in instruction to Narada)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

N
Narada
S
Sanatkumara
S
Shakti

FAQs

It teaches that worship should be grounded in a correctly formed sacred diagram (yantra): the ṣaṭkoṇa placed in the lotus-center becomes the ordered “seat” where divine power is invoked and honored as the nine Śaktis.

Bhakti here takes a disciplined ritual form: devotion is expressed through careful preparation (drawing the yantra) and reverent pīṭha-pūjā, treating the divine presence as truly established and worthy of complete worship.

It highlights technical ritual procedure—yantra-lekhana (diagram drawing) and pīṭha-pūjā sequencing—reflecting the applied, rule-based side of Vedic practice used in mantra-upāsanā.