The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
पुनः सृष्टिस्थितिन्यासौ विधाय वैष्णवोत्तमः । मूर्तिपंजरनामानं विन्यसेत्पूर्ववत्ततः ॥ १७३ ॥
punaḥ sṛṣṭisthitinyāsau vidhāya vaiṣṇavottamaḥ | mūrtipaṃjaranāmānaṃ vinyasetpūrvavattataḥ || 173 ||
ครั้นแล้วเมื่อทำนยาสะแห่งการสร้างและการทรงไว้แล้วอีกครั้ง ผู้เป็นไวษณวะผู้ประเสริฐพึงวางนามทั้งหลายแห่ง “มูรติ-ปัญชระ” ตามแบบเดิมดังที่ได้กระทำไว้ก่อน.
Sanatkumara (teaching Narada the technical procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined repetition in ritual practice: the practitioner re-establishes cosmic principles (creation and preservation) through nyāsa, then installs a structured set of divine names (mūrti-paṃjara), aligning body, speech, and mind with Viṣṇu’s ordered presence.
Bhakti here is expressed as precise, reverent ritual attentiveness—placing Viṣṇu’s names and forms through nyāsa “as before,” showing steady devotion, continuity of practice, and surrender to the prescribed tradition.
It highlights ritual-technical application of mantra and nyāsa—procedural sequencing and correct recitation/placement—closely tied to Vedanga-style discipline (especially śikṣā for pronunciation and kalpa-like procedural order in worship).