The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
आहृत्य बल्लवीवस्त्राण्यारूढं नीपभूरुहे । स्मरेत्कृष्णं जपेद्रात्रौ सहस्रं खेंदूहात्सुधीः ॥ १४७ ॥
āhṛtya ballavīvastrāṇyārūḍhaṃ nīpabhūruhe | smaretkṛṣṇaṃ japedrātrau sahasraṃ kheṃdūhātsudhīḥ || 147 ||
เมื่อนำผ้าของเหล่าโคปีมาแล้วขึ้นสู่ต้นสะเดา ผู้มีปัญญาพึงระลึกถึงพระกฤษณะ และในยามราตรีหันหน้าไปยังท้องฟ้าและจันทร์ จึงสวดภาวนาพระนาม/มนต์หนึ่งพันจบ
Narada (teaching in a vrata/mantra-vidhi sequence, traditionally in dialogue with Sanatkumara)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It prescribes a focused bhakti-sādhana combining līlā-smaraṇa (remembering Krishna’s pastimes) with disciplined japa at night, emphasizing intensity (sahasra-japa) and one-pointed remembrance.
Bhakti here is practiced as smaraṇa (continuous remembrance of Krishna) supported by japa (repetition of the divine name/mantra), showing devotion as both inner contemplation and a regulated vow-like observance.
It highlights ritual-application knowledge: timing (night practice), count-discipline (one thousand repetitions), and prescribed posture/orientation—elements aligned with prayoga/kalpa-style procedure within the text’s technical (vidhi) sections.