Hanumān-mantra-kathana: Mantra-bheda, Nyāsa, Yantra, and Prayoga
अष्टच्छदांतः षट्कोणं साध्यनामसमन्वितम् । षट्कोणेषु ध्रुवं ङेंतमांजनेयपदं लिखेत् ॥ १७३ ॥
aṣṭacchadāṃtaḥ ṣaṭkoṇaṃ sādhyanāmasamanvitam | ṣaṭkoṇeṣu dhruvaṃ ṅeṃtamāṃjaneyapadaṃ likhet || 173 ||
ภายในวงล้อมดอกบัวแปดกลีบ ให้เขียนรูปหกเหลี่ยม และจารึกนามแห่ง “สาธยะ” (เป้าหมายที่ตั้งไว้) ไว้ภายในนั้น ที่มุมทั้งหกของหกเหลี่ยมให้เขียนพยางค์ธรุวะ ‘Ṅeṃ’ พร้อมด้วยนาม ‘Āñjaneya’.
Sanatkumara (teaching Narada the technical procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It gives a precise yantra-writing rule: sacred geometry (eight-petalled lotus and hexagon) is used as a disciplined container for mantra and intention (sādhya), aligning the practitioner’s goal with a fixed seed-syllable (dhruva) and the invoked deity-name (Āñjaneya).
Bhakti here is expressed as focused upāsanā: the devotee places the deity’s epithet (Āñjaneya) and the intended purpose within a consecrated diagram, showing devotion as concentrated remembrance and ritual precision rather than mere sentiment.
It highlights technical ritual procedure—mantra-bīja placement and yantra geometry—skills associated with applied sacred phonetics and ritual method (often treated alongside Vedanga-style technical disciplines in Purāṇic instruction).