The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
अधोमुखाभिः शिष्टाभिः शेषाभिर्नृहरौ ततः । हस्तावधोमुखौ कृत्वा नाभिदेशे प्रसार्य च ॥ ४० ॥
adhomukhābhiḥ śiṣṭābhiḥ śeṣābhirnṛharau tataḥ | hastāvadhomukhau kṛtvā nābhideśe prasārya ca || 40 ||
ต่อจากนั้นให้จัดนิ้วที่เหลือให้ถูกต้องและหันลง แล้วปฏิบัติบูชาต่อพระนฤหริ เมื่อทำให้มือทั้งสองคว่ำลงแล้ว จงเหยียดไปยังบริเวณสะดือ
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It emphasizes disciplined, correct bodily procedure (hand orientation and placement) as a support for focused devotion to Nṛhari, aligning the worshipper’s attention with the deity through precise ritual action.
Bhakti here is expressed through careful, reverent performance—turning the hands downward and extending them toward the navel region as instructed—showing that devotion includes attentive adherence to sacred method while invoking Nṛhari.
It reflects technical ritual know-how—procedural instruction akin to Kalpa/Prayoga traditions—detailing hand-positioning (mudrā/nyāsa-like action) used in formal worship.