Previous Verse
Next Verse

Narada Purana — Purva Bhaga, Shloka 182

The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī

सहस्रवदनान्ते तु सहस्रोदर संवदेत् । सहस्रेक्षणशब्दान्ते सहस्रपादमीरयेत् ॥ १८२ ॥

sahasravadanānte tu sahasrodara saṃvadet | sahasrekṣaṇaśabdānte sahasrapādamīrayet || 182 ||

เมื่อจบคำว่า “พันพักตร์” พึงกล่าวว่า “พันอุทร” และเมื่อจบคำว่า “พันเนตร” พึงออกเสียงว่า “พันบาท”

सहस्र-वदन-अन्तेat the end of ‘thousand-faced’
सहस्र-वदन-अन्ते:
अधिकरण (Adhikarana/अधिकरण)
TypeNoun
Rootसहस्र (प्रातिपदिक) + वदन (प्रातिपदिक) + अन्त (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी, एकवचन; तत्पुरुष: ‘सहस्रवदनस्य अन्ते’ = at the end of (the word) ‘sahasra-vadana’
तुbut/indeed
तु:
सम्बन्ध (Discourse particle/निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात (particle)
सहस्र-उदर(the term) ‘thousand-bellied’
सहस्र-उदर:
कर्म (Karma/कर्म)
TypeNoun
Rootसहस्र (प्रातिपदिक) + उदर (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन (पाठे अव्यक्त-विभक्ति; मन्त्रपद-रूपेण); तत्पुरुष: ‘सहस्रम् उदरं यस्य/सहस्रोदर’
संवदेत्should say/recite
संवदेत्:
क्रिया (Kriya/क्रिया)
TypeVerb
Rootसम् + √वद् (धातु)
Formविधिलिङ्, परस्मैपद, प्रथमपुरुष, एकवचन
सहस्र-ईक्षण-शब्द-अन्तेat the end of the word ‘thousand-eyed’
सहस्र-ईक्षण-शब्द-अन्ते:
अधिकरण (Adhikarana/अधिकरण)
TypeNoun
Rootसहस्र (प्रातिपदिक) + ईक्षण (प्रातिपदिक) + शब्द (प्रातिपदिक) + अन्त (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी, एकवचन; तत्पुरुष: ‘सहस्रेक्षणशब्दस्य अन्ते’ = at the end of the word ‘sahasrekṣaṇa’
सहस्र-पादम्(the term) ‘thousand-footed’
सहस्र-पादम्:
कर्म (Karma/कर्म)
TypeNoun
Rootसहस्र (प्रातिपदिक) + पाद (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; तत्पुरुष: ‘सहस्रं पादं यस्य/सहस्रपाद’
ईरयेत्should utter/recite
ईरयेत्:
क्रिया (Kriya/क्रिया)
TypeVerb
Root√ईर् (धातु)
Formविधिलिङ्, परस्मैपद, प्रथमपुरुष, एकवचन

Narada (instructional recitation guidance within the Vedanga/technical section)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

V
Vishnu

FAQs

It teaches disciplined, accurate utterance of divine epithets—showing that reverence is expressed not only by devotion but also by precision in sacred speech used in ritual and praise.

Bhakti here is practiced as careful nāma–stuti: the devotee honors Vishnu’s cosmic forms (“thousand-faced/eyed/footed”) by reciting the names in their proper sequence, treating sound as a sacred offering.

Śikṣā (phonetics/recitation) and allied mantra-prayoga: it gives a rule for how specific compounds/epithets should be appended and pronounced in sequence during chanting.