The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
बीजं कृष्णाय तारान्ते बीजं च कल्किने ततः । जयद्वयं ततः शालग्रामान्ते च निवासिने ॥ १५५ ॥
bījaṃ kṛṣṇāya tārānte bījaṃ ca kalkine tataḥ | jayadvayaṃ tataḥ śālagrāmānte ca nivāsine || 155 ||
จงเติมพยางค์บีชะของพระกฤษณะให้ลงท้ายด้วย “ตารา”; แล้วเติมบีชะของพระกัลกิ ต่อจากนั้นกล่าว “ชยะ ชยะ” สองครั้ง และปิดท้ายด้วย “แด่ผู้สถิต ณ ศาลคราม”॥
Narada (in instruction to the Sanatkumara tradition on technical mantra construction)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches a precise mantra-formation method that centers devotion on Viṣṇu as present in Śālagrāma, invoking Kṛṣṇa and Kalkin and sealing the prayer with victory-acclamation (jaya-jaya).
Bhakti is expressed here as disciplined remembrance and invocation—addressing the Lord by specific forms (Kṛṣṇa, Kalkin) and affirming His triumph (jaya-jaya), culminating in worship of His tangible presence in Śālagrāma.
It reflects mantra-vinyāsa (structured placement of syllables) and correct ritual sequencing—an applied, technical side of sacred recitation aligned with śikṣā (phonetics) and ritual procedure.