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Narada Purana — Purva Bhaga, Shloka 98

The Explanation of Sandhyā and Related Daily Observances

Saṅdhyā-ādi Nitya-karma-Vidhi

विमलो धारया युक्तो नृसिंहो विद्युता युतः । केशवादिमातृकाया मुनिर्नारायणो मतः ॥ ९८ ॥

vimalo dhārayā yukto nṛsiṃho vidyutā yutaḥ | keśavādimātṛkāyā munirnārāyaṇo mataḥ || 98 ||

“วิมละ” ประกอบด้วย “ธารา” (กระแสอันค้ำจุน); “นฤสิงหะ” ประกอบด้วยสายฟ้า. และใน “มาตฤกา” ที่เริ่มด้วย “เกศวะ” นั้น ฤๅษีถูกเข้าใจว่าเป็น “นารายณะ” เอง

विमलःspotless/pure
विमलः:
Karta (कर्ता/Subject)
TypeAdjective
Rootविमल (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
धारयाwith a stream/flow
धारया:
Karana (करण/Instrument)
TypeNoun
Rootधारा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया, एकवचन; करण
युक्तःendowed
युक्तः:
Karta (कर्ता/Subject)
TypeAdjective
Rootयुज् (धातु) → युक्त (कृदन्त, क्त)
Formपुंलिङ्ग, प्रथमा, एकवचन
नृ-सिंहःNṛsiṃha
नृ-सिंहः:
Karta (कर्ता/Subject)
TypeNoun
Rootनृ (प्रातिपदिक) + सिंह (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारयः—‘नरः सिंह इव’/‘नर-सिंहः’
विद्युताwith lightning
विद्युता:
Karana (करण/Instrument)
TypeNoun
Rootविद्युत् (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया, एकवचन; करण
युतःassociated
युतः:
Karta (कर्ता/Subject)
TypeAdjective
Rootयुज् (धातु) → युत (कृदन्त, क्त)
Formपुंलिङ्ग, प्रथमा, एकवचन
केशव-आदि-मातृकायाःof the syllabic series beginning with Keśava
केशव-आदि-मातृकायाः:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootकेशव (प्रातिपदिक) + आदि (अव्यय/प्रातिपदिक) + मातृका (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (6th), एकवचन; ‘केशव-आदि’ इति तत्पुरुषः (beginning with Keśava) + ‘मातृका’ (alphabet/series of syllables) — ‘केशवादीनां मातृका’/‘केशव-आदि-मातृका’ इति समास; षष्ठीसम्बन्ध (genitive)
मुनिःsage
मुनिः:
Karta (कर्ता/Subject)
TypeNoun
Rootमुनि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
नारायणःNārāyaṇa
नारायणः:
Karta (कर्ता/Subject)
TypeNoun
Rootनारायण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
मतःis considered
मतः:
Kriya (क्रिया/Predicate)
TypeVerb
Rootमन् (धातु) → मत (कृदन्त, क्त)
Formभूतकर्मणि कृदन्त (past passive participle); पुंलिङ्ग, प्रथमा, एकवचन; ‘(सः) मतः’ = is considered/held to be

Narada (teaching within a technical/Vedanga-style enumeration)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: bhakti

N
Nrsimha
N
Narayana
K
Keshava

FAQs

It links divine forms (Nṛsiṃha, Nārāyaṇa) with energetic principles (a sustaining ‘flow’ and lightning-like radiance) and anchors them in the Keśavādi Mātr̥kā, implying that sacred sound/phonemes are a vehicle for realizing Vishnu’s presence.

By identifying the sage-principle with Nārāyaṇa within the Keśava-based sacred sound matrix, it supports Bhakti through nāma (divine names) and mantra—devotion expressed as remembrance, recitation, and contemplative alignment with Vishnu’s forms.

It reflects a technical mantra/phoneme framework (Mātr̥kā), aligning with Śikṣā and Vyākaraṇa-oriented thinking—how sound-units and name-sequences are systematically mapped to deities for japa, nyāsa, and ritual application.