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Narada Purana — Purva Bhaga, Shloka 87

Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana

अनाहतेऽर्कपत्रे च कादिठांतार्णसंयुते । शुक्ले शूलाभयवरसधाकलशधारिणे ॥ ८७ ॥

anāhate'rkapatre ca kādiṭhāṃtārṇasaṃyute | śukle śūlābhayavarasadhākalaśadhāriṇe || 87 ||

ณจักระอนาหตะ บนกลีบประหนึ่งดวงอาทิตย์ ประกอบด้วยพยางค์บีชะตั้งแต่ “กะ” ถึง “ฐะ” จงภาวนาถึงเทวะผู้เรืองรองสีขาว ผู้ทรงตรีศูล แสดงมุทราอภัยและประทานพร และถือหม้ออมฤต

अनाहतेin the Anāhata (chakra)
अनाहते:
Adhikarana (अधिकरण)
TypeNoun
Rootअनाहत (प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी-विभक्ति; एकवचन (चक्र-स्थान-नाम)
अर्क-पत्रेin the sun-leaf (lotus-petal)
अर्क-पत्रे:
Adhikarana (अधिकरण)
TypeNoun
Rootअर्क (प्रातिपदिक) + पत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी-विभक्ति; एकवचन; समासः—षष्ठी-तत्पुरुषः (अर्कस्य पत्रम्)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
कादि-ठान्त-अर्ण-संयुतेin (that) associated with the syllables ka etc.
कादि-ठान्त-अर्ण-संयुते:
Adhikarana (अधिकरण)
TypeAdjective
Rootक (वर्ण/प्रातिपदिक) + आदि (अव्यय/प्रातिपदिक) + ठान्त (प्रातिपदिक) + अर्ण (प्रातिपदिक) + सं-युक्त (कृदन्त/प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी-विभक्ति; एकवचन; विशेषणम्; समासः—तत्पुरुषः (कादि-ठान्त-अर्णैः सं-युक्तम् = ‘joined with syllables from ka… to ṭhāṃt… arṇa’)
शुक्लेto the white (one)
शुक्ले:
Sampradana (सम्प्रदान)
TypeAdjective
Rootशुक्ल (प्रातिपदिक)
Formपुंलिङ्ग; चतुर्थी-विभक्ति; एकवचन; विशेषणम् (धारिणे इत्यस्य)
शूल-अभय-वर-सुधा-कलश-धारिणेto the bearer of trident, fearlessness, boon, nectar, and pot
शूल-अभय-वर-सुधा-कलश-धारिणे:
Sampradana (सम्प्रदान)
TypeNoun
Rootशूल (प्रातिपदिक) + अभय (प्रातिपदिक) + वर (प्रातिपदिक) + सुधा (प्रातिपदिक) + कलश (प्रातिपदिक) + धारिन् (प्रातिपदिक)
Formपुंलिङ्ग; चतुर्थी-विभक्ति; एकवचन; समासः—उपपद-तत्पुरुषः (शूलादीनि धारयति इति)

Sanatkumara (teaching Narada the technical procedure of mantra-nyasa/dhyana)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

A
Anahata

FAQs

It instructs a heart-centered (Anāhata) meditation where sacred syllables (varṇas) are ritually placed (nyāsa) and the deity is visualized with protective and grace-bestowing attributes, indicating inner purification and focused devotion.

By prescribing a clear dhyāna—visualizing a compassionate, boon-giving, fear-dispelling form—the verse channels emotion and attention into reverent contemplation, a core method for stabilizing bhakti in ritual practice.

It reflects mantra-śāstra/ritual application closely tied to phonetics and syllabic order (Śikṣā and Vyākaraṇa in practice), using an akṣara-group (‘ka’ to ‘ṭha’) for nyāsa as a technical aid in worship.