Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
नामार्णान्यचतुष्कात्तु द्वितीये मंत्रवर्णके । चतुष्के चेत्तदा पूर्वं यत्र नामाक्षरं स्थितम् ॥ ८ ॥
nāmārṇānyacatuṣkāttu dvitīye maṃtravarṇake | catuṣke cettadā pūrvaṃ yatra nāmākṣaraṃ sthitam || 8 ||
หากพยางค์ของนามมิได้อยู่เป็นชุดสี่ ก็ให้ในชุดสี่ที่สองของอักษรมนตร์—เมื่อจะใช้การแบ่งเป็นชุดสี่—วางไว้ก่อน ณ ตำแหน่งที่อักษรของนามตั้งอยู่
Sanatkumara (in dialogue instruction to Narada on technical mantra arrangement)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It stresses disciplined, rule-based mantra formation: correct placement of the nāmākṣara (name-syllable) is treated as essential for the mantra’s intended ritual and spiritual effect.
Bhakti here is supported by precision in practice: devotion is expressed not only by feeling but by careful adherence to mantra-śāstra rules so the worship is properly aligned and effective.
Śikṣā (phonetics/letter arrangement) and Vyākaraṇa-style technical ordering are implied—specifically, how to handle letter-grouping (catuṣka) and where to position the name-syllable within a mantra’s letter sequence.