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Narada Purana — Purva Bhaga, Shloka 48

Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana

अशंकितो वा शय्यायां स्वकीयशिरसि स्मरेत् । सहस्रदलशुक्लाब्जकणिकास्थेंदुमण्डले ॥ ४८ ॥

aśaṃkito vā śayyāyāṃ svakīyaśirasi smaret | sahasradalaśuklābjakaṇikāstheṃdumaṇḍale || 48 ||

หรือเมื่อนอนบนที่นอนโดยไร้ความหวาดหวั่น พึงระลึกถึงดวงจันทร์ในศีรษะตน ซึ่งตั้งอยู่บนเกสรกลางแห่งดอกบัวขาวพันกลีบ

अशंकितःunafraid/without doubt
अशंकितः:
Karta (कर्ता)
TypeAdjective
Rootअ-शङ्कित (कृदन्त; √शङ्क् धातु)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; नञ्-पूर्वक क्त-प्रत्ययान्त; कर्तरि विशेषण
वाor
वा:
Avyaya (अव्यय)
TypeIndeclinable
Rootवा (अव्यय)
Formविकल्पार्थक अव्यय (particle: or/alternatively)
शय्यायाम्on the bed
शय्यायाम्:
Adhikarana (अधिकरण)
TypeNoun
Rootशय्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी-विभक्ति, एकवचन
स्वकीयशिरसिon one’s own head
स्वकीयशिरसि:
Adhikarana (अधिकरण)
TypeNoun
Rootस्वकीय + शिरस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचन; ‘स्वकीयस्य शिरसि’
स्मरेत्should remember/meditate
स्मरेत्:
Kriya (क्रिया)
TypeVerb
Root√स्मृ (धातु)
Formविधिलिङ् (optative), परस्मैपद, प्रथम-पुरुष, एकवचन
सहस्रदलशुक्लाब्जकणिकास्थेन्दुमण्डलेin the moon-disc situated on the filament of the white thousand-petalled lotus
सहस्रदलशुक्लाब्जकणिकास्थेन्दुमण्डले:
Adhikarana (अधिकरण)
TypeNoun
Rootसहस्र + दल + शुक्ल + अब्ज + कणिका + स्थ + इन्दु + मण्डल (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचन; बहुपद-समासः—‘सहस्रदलस्य शुक्लाब्जस्य कणिकायां स्थिते इन्दुमण्डले’ (locative)

Sanatkumara (teaching Narada)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

FAQs

It prescribes an inner visualization (smaraṇa/dhyāna) of the thousand‑petalled lotus at the crown and a calming “lunar orb,” indicating a sattvic, cooling focus that steadies the mind and supports liberation-oriented practice.

Even though it is framed as yogic meditation, the act of continuous remembrance (smaret) functions like bhakti-style smaraṇa—training the devotee to keep sacred awareness present even at rest, such as while lying down.

It reflects a technical, method-based instruction (prayoga) aligned with Narada Purana’s Book 1.3 tone—structured dhyāna visualization (a practical discipline akin to auxiliary sciences of practice), emphasizing precise mental placement and form (lotus, center, orb).