Previous Verse
Next Verse

Narada Purana — Purva Bhaga, Shloka 49

Dīkṣā, Mantra-Types, Mantra-Doṣas, and Qualifications of Ācārya–Śiṣya

एकादशाक्षरो वापि पंचविंशतिवर्णकः । त्रयोर्विंशतिवर्णो वा स मनुर्दृप्तसंज्ञकः ॥ ४९ ॥

ekādaśākṣaro vāpi paṃcaviṃśativarṇakaḥ | trayorviṃśativarṇo vā sa manurdṛptasaṃjñakaḥ || 49 ||

มนตร์อาจมีสิบเอ็ดพยางค์ หรือมีอักษรยี่สิบห้า หรือยี่สิบสามอักษร; มนตร์เช่นนี้เรียกว่า “ทฤปตะ” (Dṛpta).

ekādaśākṣaraḥhaving eleven syllables
ekādaśākṣaraḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootekādaśa (प्रातिपदिक) + akṣara (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; dvigu-samāsa
or
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootvā (अव्यय)
FormVikalpa-avyaya (or)
apialso/even
api:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootapi (अव्यय)
FormSambhāvanā/samuccaya-nipāta (particle: ‘also/even’)
paṃcaviṃśativarṇakaḥhaving twenty-five letters
paṃcaviṃśativarṇakaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootpaṃcaviṃśati (प्रातिपदिक) + varṇaka (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; dvigu-samāsa
trayoḥviṃśativarṇaḥhaving twenty-three letters
trayoḥviṃśativarṇaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottrayo-viṃśati (प्रातिपदिक) + varṇa (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; dvigu-samāsa (23)
or
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootvā (अव्यय)
FormVikalpa-avyaya (or)
saḥthat (one)
saḥ:
Karta (कर्ता/Subject)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana
manuḥmantra (manu)
manuḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootmanu (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana
dṛptasaṃjñakaḥcalled ‘Dṛpta’
dṛptasaṃjñakaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootdṛpta (√dṛp कृदन्त/प्रातिपदिक) + saṃjñaka (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; tatpuruṣa: dṛptā saṃjñā yasya/ dṛpta-iti saṃjñakaḥ = ‘named “Dṛpta”’

Narada

Vrata: none

Primary Rasa: shanta

Secondary Rasa: vira

FAQs

It shows that mantra-vidyā in the Narada Purana includes precise technical standards—counting akṣaras/varṇas—so that chanting and ritual application follow an exact Vedic method rather than guesswork.

While not directly teaching bhakti, it supports devotional practice by stressing correct mantra-form; accurate recitation (as taught in Śikṣā/Vedāṅga) is presented as the proper foundation for effective japa and worship.

Śikṣā-oriented mantra metrics: the verse classifies a mantra by syllable/phoneme count (11, 25, or 23) and assigns it the technical label “Dṛpta,” reflecting applied phonetics and formal mantra taxonomy.