Nārada’s Hymn to Viṣṇu
Nāradasya Viṣṇu-stavaḥ
सर्वसत्त्वमयं शान्तं सर्वद्र ष्टारमीश्वरम् । सहस्रशीर्षकं देवं वन्दे भावात्मकं हरिम् ॥ ५२ ॥
sarvasattvamayaṃ śāntaṃ sarvadra ṣṭāramīśvaram | sahasraśīrṣakaṃ devaṃ vande bhāvātmakaṃ harim || 52 ||
ข้าพเจ้าขอนอบน้อมแด่พระหริ ผู้แผ่ซ่านในสรรพสัตว์ สงบ ผู้ทรงเห็นทั่ว ผู้เป็นอิศวร; เทพผู้มีเศียรพัน ผู้เป็นแก่นแท้แห่งภาวะและความรู้สึกทั้งปวง॥๕๒॥
Suta (narratorial invocation in the Purana’s opening context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It functions as a stuti (devotional salutation) establishing Hari as the immanent and transcendent Lord—present in all beings, all-seeing, and the cosmic Purusha—thus setting a bhakti-centered frame for the teaching that follows.
Bhakti begins with veneration (vande) grounded in right understanding: the devotee worships Hari not as a limited deity, but as the peaceful, all-pervading Ishvara who contains all beings and all inner bhāvas—turning devotion into a direct means to inner stillness and liberation.
No specific Vedanga practice is taught in this shloka; however, it reflects Vedic mantra-idiom (e.g., sahasraśīrṣa imagery akin to Purusha-sūkta), supporting correct recitation and meaning-oriented devotion rather than ritual detail.