Śuka’s Yoga-ascent, the Echo of ‘Bhoḥ’, and the Vaikuṇṭha Vision
स तप्यति तपस्त्वद्य पर्वते गंधमादने । त्वद्वियोगेन खिन्नात्मा तं प्रसादय मत्प्रियम् ॥ ७३ ॥
sa tapyati tapastvadya parvate gaṃdhamādane | tvadviyogena khinnātmā taṃ prasādaya matpriyam || 73 ||
เขายังบำเพ็ญตบะอยู่ ณ เขาคันธมาทนะในบัดนี้ ด้วยความพลัดพรากจากท่าน ใจเขาเศร้าหมอง ดังนั้นโปรดเมตตาเขาผู้เป็นที่รักของเราเถิด।
Sanatkumara (addressing Narada in the Narada–Sanatkumara dialogue context of Moksha Dharma)
Vrata: none
Primary Rasa: karuna
Secondary Rasa: bhakti
It highlights that sincere tapas performed in a sacred place, intensified by the anguish of separation (viraha), becomes a powerful spiritual force—and that showing grace to a devoted seeker is itself a dharmic act leading toward moksha.
The verse frames devotion through viraha-bhakti: the devotee’s longing due to separation becomes the fuel for sustained austerity, and divine (or saintly) compassion is requested to relieve the devotee and fulfill devotion.
No specific Vedanga technique is taught in this line; the practical takeaway is dharmic conduct in tapas—choosing a sacred kshetra (like Gandhamadana) and maintaining disciplined austerity as a supportive limb (aṅga) of bhakti and moksha-sadhana.