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Narada Purana — Purva Bhaga, Shloka 44

Jyotiṣa-śāstra Saṅgraha: Threefold Division, Gaṇita Methods, Muhūrta, and Planetary Reckoning

भुजकोटिकृतियोगमूलं कर्णश्च दोर्भवेत् । श्रुतिकृत्यंतरपद कोटिर्दोः कर्णवर्गयोः ॥ ४४ ॥

bhujakoṭikṛtiyogamūlaṃ karṇaśca dorbhavet | śrutikṛtyaṃtarapada koṭirdoḥ karṇavargayoḥ || 44 ||

โยคะที่เกิดจากรอยต่อที่ปลายแขน มีรากคือ ‘กรรณะ’ (karṇa) และแขนก็สอดคล้องกับค่านั้น ระหว่างกรรณะกับแขนมีตำแหน่งกึ่งกลางเรียกว่า ‘โกฏิ’ (koṭi) ซึ่งอยู่ในหมวดที่สัมพันธ์กับแขนและกรรณะ

भुज-कोटि-कृति-योग-मूलम्the square-root of the sum of the squares of the arm and the base
भुज-कोटि-कृति-योग-मूलम्:
Karma (कर्म)
TypeNoun
Rootभुज (प्रातिपदिक) + कोटि (प्रातिपदिक) + कृति (प्रातिपदिक) + योग (प्रातिपदिक) + मूल (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd case), एकवचन; समासः—षष्ठी/तत्पुरुषार्थः (determinative)
कर्णःthe hypotenuse/diagonal
कर्णः:
Karta (कर्ता)
TypeNoun
Rootकर्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st case), एकवचन
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
दोःthe arm/side
दोः:
Karta (कर्ता)
TypeNoun
Rootदोः/दोर् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st case), एकवचन; वैदिक/छन्दसि रूप (irregular nominative)
भवेत्should be/becomes
भवेत्:
Kriya (क्रिया)
TypeVerb
Rootभू (धातु)
Formविधिलिङ् (optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
श्रुति-कृति-अन्तर-पदम्the intermediate term between the square and the hypotenuse (i.e., the other side)
श्रुति-कृति-अन्तर-पदम्:
Karma (कर्म)
TypeNoun
Rootश्रुति (प्रातिपदिक) + कृति (प्रातिपदिक) + अन्तर (प्रातिपदिक) + पद (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd case), एकवचन; समासः—तत्पुरुष (determinative)
कोटिःthe base/perpendicular side
कोटिः:
Karta (कर्ता)
TypeNoun
Rootकोटि (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st case), एकवचन
दोःof the arm
दोः:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootदोः/दोर् (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th case), एकवचन
कर्ण-वर्गयोःof the squares of the hypotenuse
कर्ण-वर्गयोः:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootकर्ण (प्रातिपदिक) + वर्ग (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th case), द्विवचन; समासः—तत्पुरुष (determinative)

Sanatkumara (teaching Narada in a technical/disciplinary register)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

N
Narada
S
Sanatkumara

FAQs

It frames the body as a disciplined field of practice, where precise ‘junctions’ and ‘positions’ (yoga, pada, koṭi) are mapped and contemplated to support ordered sadhana within moksha-dharma.

Indirectly: by emphasizing precision and inner order, it supports the devotee’s steadiness (niyama) so that devotional practices—japa, remembrance, and worship—are performed with focused attention rather than distraction.

A Shiksha/Vedanga-like technical method: identifying bodily ‘points’ and intermediate ‘steps’ (pada) used for structured recitation, ritual placement, or contemplative alignment in practice.