Anūcāna (True Learning), the Vedāṅgas, and Śikṣā: Svara, Sāmavedic Chant, and Gandharva Theory
आर्चिकं गाथिकं चैव सामिकं च स्वरान्तरम् । कृतांते स्वरशास्त्राणां प्रयोक्तव्य विशेषतः ॥ १६ ॥
ārcikaṃ gāthikaṃ caiva sāmikaṃ ca svarāntaram | kṛtāṃte svaraśāstrāṇāṃ prayoktavya viśeṣataḥ || 16 ||
ในส่วนท้ายของพิธีหรือการสวด ควรประยุกต์ศาสตร์แห่งสวระโดยเฉพาะ คือแบบฤก ‘อารจิกะ’, แบบคาถา ‘คาถิกะ’, แบบสามัน ‘สามิกะ’ และ ‘สวรานตระ’ คือการเปลี่ยนระดับเสียงอย่างถูกต้อง
Narada (in dialogue context with the Sanatkumara tradition; instructional tone)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It emphasizes that spiritual efficacy in mantra and rite depends not only on meaning but also on precise sound—proper Vedic tone (svara) and its transitions—especially at the concluding segment where the rite is sealed.
It frames devotion as disciplined worship: offering reverence through accurate sacred recitation. Correct chanting becomes a form of bhakti by honoring the revealed sound-form of the Veda.
Śikṣā (Vedāṅga phonetics): the verse points to applied rules of Vedic accent/intonation—chant modes (ārcika, sāmika) and tonal intervals (svarāntara)—as essential practical know-how for ritual recitation.