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Shloka 21

आदि पर्व (अध्याय १२७) — रङ्गे कर्णस्य अवमानः, दुर्योधनस्य प्रतिपक्ष-निवृत्तिः, मैत्री-स्थापनम् / Ādi Parva (Chapter 127) — Karṇa’s Public Humiliation, Duryodhana’s Intervention, and the Formation of Alliance

संछन्न: स तु वासोभिर्जीवन्निव नराधिप: । शुशुभे स नरव्याप्रो महाहशयनोचित:,इस प्रकार बहुमूल्य शय्यापर शयन करनेयोग्य नरश्रेष्ठ राजा पाण्डुकी अस्थियाँ वस्त्रोंसे आच्छादित हो जीवित मनुष्यकी भाँति शोभा पाने लगीं

saṃchannaḥ sa tu vāsobhir jīvann iva narādhipaḥ | śuśubhe sa naravyāghro mahāśayanocitaḥ ||

เมื่อถูกคลุมด้วยอาภรณ์ทั้งหลาย อัฐิและสรีรสังขารของพระราชาก็ดูประหนึ่งยังมีชีวิตอยู่ นรพยาฆร—ผู้ควรแก่แท่นบรรทมอันโอฬาร—ปรากฏรุ่งเรืองดุจยังทรงไว้ซึ่งศักดิ์ศรีแห่งมหาราชา

संछन्नःcovered, concealed
संछन्नः:
Karta
TypeAdjective
Rootसंछन्न (√छद्)
FormMasculine, Nominative, Singular
सःhe/that (one)
सः:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Singular
तुbut, indeed
तु:
TypeIndeclinable
Rootतु
वासोभिःwith garments/cloths
वासोभिः:
Karana
TypeNoun
Rootवासस्
FormNeuter, Instrumental, Plural
जीवन्living
जीवन्:
Karta
TypeAdjective
Rootजीवत् (√जीव्)
FormMasculine, Nominative, Singular
इवlike, as if
इव:
TypeIndeclinable
Rootइव
नराधिपःking (lord of men)
नराधिपः:
Karta
TypeNoun
Rootनराधिप
FormMasculine, Nominative, Singular
शुशुभेshone, appeared splendid
शुशुभे:
TypeVerb
Root√शुभ्
FormPerfect (Liṭ), 3rd, Singular, Ātmanepada
सःhe/that (one)
सः:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Singular
नरव्याघ्रःtiger among men, best of men
नरव्याघ्रः:
Karta
TypeNoun
Rootनरव्याघ्र
FormMasculine, Nominative, Singular
महाशयन-उचितःfit for a great couch/bed
महाशयन-उचितः:
Karta
TypeAdjective
Rootमहाशयन + उचित
FormMasculine, Nominative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
N
narādhipa (the king, contextually Pāṇḍu)
V
vāsas/vastra (garments, cloth coverings)
M
mahāśayana (royal couch/bed)

Educational Q&A

The verse highlights dharmic reverence: even in death, a ruler is treated with honor and proper decorum. Ethical conduct is shown through respectful handling of the body/remains, reflecting societal duties toward the deceased and the maintenance of dignity.

Vaiśampāyana describes the king’s remains being covered with fine garments so that they appear lifelike and splendid—befitting one worthy of a grand royal couch—emphasizing the ceremonial respect surrounding the king after death.