अनुक्रमणिकाध्यायः (Anukramaṇikā Adhyāya) — Invocation, Narrator Frame, and Textual Scope
कर्णपर्वसितै: पुष्पै: शल्यपर्वसुगन्धिभि: । स्त्रीपर्वीषीकविश्राम: शान्तिपर्वमहाफल:,कर्णपर्व इसके श्वेत पुष्प हैं और शल्यपर्व सुगन्ध। स्त्रीपर्व और ऐषीकपर्व इसकी छाया है तथा शान्तिपर्व इसका महान् फल है
karṇaparvasitaiḥ puṣpaiḥ śalyaparvasugandhibhiḥ | strīparvīṣīkaviśrāmaḥ śāntiparvamahāphalaḥ ||
‘กรรณะ’ ปรวะเป็นดอกขาวของมัน และ ‘ศัลยะ’ ปรวะเป็นกลิ่นหอม; ‘สตรี’ ปรวะกับ ‘ไอษีกะ’ ปรวะเป็นร่มเงาและที่พักพิง ส่วน ‘ศานติ’ ปรวะเป็นผลอันยิ่งใหญ่ของพฤกษานี้
The verse frames the epic as a living tree: the war books are like blossoms and fragrance, but the ultimate ethical harvest is Śānti Parva—peace, governance, and dharma. It implies that suffering and conflict are not the final meaning; the mature purpose is reflective instruction and restoration of order.
This is a meta-description of the Mahābhārata’s later books, using botanical imagery to map different parvas to parts of a tree—flowers, fragrance, shade/rest, and fruit—highlighting the transition from battlefield intensity to mourning and finally to extended teachings on peace and righteous conduct.