देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
नृत्यप्रियो नृत्यनृत्यः प्रकाशात्मा प्रतापनः बुद्धस्पष्टाक्षरो मन्त्रः सन्मानः सारसंप्लवः
nṛtyapriyo nṛtyanṛtyaḥ prakāśātmā pratāpanaḥ buddhaspaṣṭākṣaro mantraḥ sanmānaḥ sārasaṃplavaḥ
พระองค์ทรงยินดีในนาฏกรรมจักรวาล; ทรงเป็น “การรำ” ภายใน “การรำ”. สภาวะของพระองค์คือแสงบริสุทธิ์ และทรงจุดประกายเตชะทางจิต. ทรงเป็นมนตร์ที่พยางค์แจ่มชัดแก่ปัญญาที่ตื่นรู้; ผู้ประทานเกียรติแท้ และผู้พาข้ามกระแสสังสารสู่แก่นสาร.
Suta Goswami (narrating the Shiva Sahasranama to the sages of Naimisharanya)
It frames the Linga as the luminous Pati (Lord) who is both stillness and cosmic dynamism—worship is not merely external offering but attunement to Shiva as inner light (prakāśa) and mantra-sound (akṣara) that ferries the pashu beyond saṃsāra.
Shiva-tattva is presented as self-luminous consciousness (prakāśātmā) and transformative power (pratāpanaḥ), simultaneously immanent as the rhythmic mover of all activity (nṛtyanṛtyaḥ) and transcendent as the imperishable mantra-principle (akṣara-mantra) known through awakened buddhi.
Mantra-upāsanā aligned with Pashupata Yoga is implied: clarity of akṣara through purified buddhi, reverent conduct (sanmāna), and meditative absorption in Shiva as Light—this is the inner practice that loosens pāśa (bondage) and enables crossing the saṃplava of saṃsāra.