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Shloka 51

उमामहेश्वरव्रतं—पञ्चाक्षरमन्त्रस्य माहात्म्यं, न्यासः, जपविधिः, सदाचारः, विनियोगः

विश्वामित्र ऋषिस्त्रिष्टुप् छन्दो विष्णुस्तु दैवतम् वाकारो हेमवर्णो ऽस्य स्थानं चैवोत्तरं मुखम्

viśvāmitra ṛṣistriṣṭup chando viṣṇustu daivatam vākāro hemavarṇo 'sya sthānaṃ caivottaraṃ mukham

สำหรับบทนี้ ฤๅษีคือวิศวามิตร ฉันท์เป็นตรีษฏุป เทวประธานคือวิษณุ พยางค์เมล็ด “วะ” มีสีทอง และที่ตั้งอยู่ ณ พระพักตร์ทิศเหนือ

विश्वामित्रःViśvāmitra (the seer)
विश्वामित्रः:
ऋषिःrishi/seer
ऋषिः:
त्रिष्टुप्Triṣṭubh (Vedic metre)
त्रिष्टुप्:
छन्दःmetre/prosodic form
छन्दः:
विष्णुःViṣṇu
विष्णुः:
तुindeed/and
तु:
दैवतम्presiding deity
दैवतम्:
वाकारःthe syllable ‘va’
वाकारः:
हेमवर्णःgolden-hued
हेमवर्णः:
अस्यof this (mantra/section)
अस्य:
स्थानम्seat/placement
स्थानम्:
च एवand indeed
च एव:
उत्तरम्northern
उत्तरम्:
मुखम्face/mouth (directional face in nyāsa)
मुखम्:

Suta Goswami (narrating mantra-viniyoga details within the Purva-Bhaga)

V
Vishnu
V
Vishvamitra

FAQs

It gives the viniyoga framework—rishi, chandas, devatā, bīja, color, and directional placement—used to sanctify recitation and nyāsa before Linga-centered japa or pūjā.

By assigning Viṣṇu as devatā within a Shaiva textual setting, it reflects the Purāṇic teaching that Pati (Śiva) can be approached through integrated devatā-tattvas—without collapsing distinctions—showing unity of sacred functions while Śiva remains the liberating Lord beyond pāśa.

Mantra-viniyoga and nyāsa: establishing the mantra’s rishi–meter–deity identity and placing it to the “northern face,” a directional discipline supporting focused japa and Pāśupata-style inner alignment.