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Shloka 121

Adhyaya 70: आदिसर्गः—महत्-अहङ्कार-तन्मात्रा-भूतसृष्टिः, ब्रह्माण्डावरणम्, प्रजासर्गः, त्रिमूर्ति-शैवाधिष्ठानम्

शर्वर्यन्ते प्रकुरुते ब्रह्मत्वं सर्गकारणात् ब्रह्मा तु सलिले तस्मिन् वायुर्भूत्वा समाचरत्

śarvaryante prakurute brahmatvaṃ sargakāraṇāt brahmā tu salile tasmin vāyurbhūtvā samācarat

เมื่อสิ้นสุดราตรีจักรวาล เพื่อให้เหตุแห่งการสร้างเริ่มดำเนิน ปฤกฤติได้บังเกิดภาวะแห่งพรหมา แล้วพรหมาในน้ำนั้นได้แปรเป็นวายุ เคลื่อนไหวเพื่อเร้าให้การปรากฏเริ่มขึ้น

शर्वर्यन्तेat the end of the night (cosmic dissolution-night)
शर्वर्यन्ते:
प्रकुरुतेPrakṛti / primordial Nature
प्रकुरुते:
ब्रह्मत्वम्the status/function of Brahmā (creatorhood)
ब्रह्मत्वम्:
सर्गकारणात्due to the cause/necessity of creation
सर्गकारणात्:
ब्रह्माBrahmā
ब्रह्मा:
तुindeed/then
तु:
सलिलेin the waters
सलिले:
तस्मिन्in that (primeval expanse)
तस्मिन्:
वायुःVāyu, the wind principle
वायुः:
भूत्वाhaving become
भूत्वा:
समाचरत्acted/moved about/operated
समाचरत्:

Suta Goswami (narrating the cosmology to the sages of Naimisharanya)

B
Brahma
V
Vayu
P
Prakriti

FAQs

It frames creation as a regulated unfolding of tattvas (principles) from Prakṛti, implying that worship of the Linga (Pati, Shiva) transcends and governs these processes—making Linga-puja a means to rise beyond the created order toward the Lord who presides over it.

Even while Prakṛti initiates the functional role of Brahmā for creation, Shaiva Siddhanta reads Shiva-tattva as the supreme Pati who remains prior to and sovereign over Prakṛti, Brahmā, and the elemental forces like Vāyu—these are instruments within the cosmic administration, not the final Absolute.

No direct ritual is prescribed, but the verse highlights tattva-vicāra (discernment of principles) central to Pashupata-oriented contemplation: seeing elements like Vāyu and the creator-function as contingent, thereby turning the yogin’s attention toward Pati (Shiva) as the liberating ground beyond Pāśa (bondage).