Īśvara-Gītā (continued): Twofold Yoga, Aṣṭāṅga Discipline, Pāśupata Meditation, and the Unity of Nārāyaṇa–Maheśvara
ऐश्वर्याष्टदलं श्वेतं परं वैराग्यकर्णिकम् / चिन्तयेत् परमं कोशं कर्णिकायां हिरण्मयम्
aiśvaryāṣṭadalaṃ śvetaṃ paraṃ vairāgyakarṇikam / cintayet paramaṃ kośaṃ karṇikāyāṃ hiraṇmayam
พึงเพ่งดอกบัวอันสูงสุด: กลีบแปดกลีบขาวด้วยไอศวรรย์ทิพย์ เกสรกลางคือไวรากยะอันยิ่ง และในแก่นทองนั้นพึงภาวนา ‘โกศ’ อันประณีตที่สุด
Lord Kurma (Vishnu) instructing King Indradyumna (Ishvara Gita teaching context)
Primary Rasa: adbhuta
Secondary Rasa: shanta
It presents the Supreme as an inmost, luminous “parama-kośa” accessed inwardly—symbolized by a golden lotus-core—implying the Self is realized through interior contemplation rather than external ritual alone.
A dhyāna practice of lotus-visualization: meditate on an eight-petalled, pure (white) lotus representing aiśvarya (Ishvara’s majesty), then focus on the central pericarp as vairāgya (detachment), and finally rest attention in the radiant golden core—an inward concentration aligned with Ishvara Gita’s Pashupata-oriented contemplative discipline.
By using Pashupata-style yogic symbolism (vairāgya-centered dhyāna) within a Vishnu-as-Kurma discourse, it reflects the Kurma Purana’s synthesis: the same Supreme Lord (Ishvara) is approached through shared Shaiva-Vaishnava yogic contemplations.