Īśvara-Gītā (continued): Twofold Yoga, Aṣṭāṅga Discipline, Pāśupata Meditation, and the Unity of Nārāyaṇa–Maheśvara
हृत्पुण्डरीके नाभ्यां वा मूर्ध्नि पर्वतमस्तके / एवमादिषु देशेषु धारणा चित्तबन्धनम्
hṛtpuṇḍarīke nābhyāṃ vā mūrdhni parvatamastake / evamādiṣu deśeṣu dhāraṇā cittabandhanam
การตั้งจิตไว้ที่ดอกบัวแห่งหัวใจ หรือที่สะดือ หรือที่กระหม่อม หรือบนยอดเขา—การผูกและทำจิตให้มั่นคงในสถานที่ที่เลือกเช่นนั้น เรียกว่า ธารณา (dhāraṇā)
Lord Kūrma (Vishnu) instructing King Indradyumna (Ishvara Gita context)
Primary Rasa: shanta
Secondary Rasa: adbhuta
By defining dhāraṇā as the steady binding of citta, the verse implies that realization requires a stabilized inner instrument; when the mind is made one-pointed, the Self/Īśvara can be directly contemplated without distraction.
It teaches dhāraṇā (one-pointed concentration) by selecting a locus such as the heart-lotus, navel, crown, or a sacred elevated place (mountain peak) and repeatedly fastening attention there—an Ishvara Gita-style instruction aligned with Pāśupata-inflected yoga discipline.
Though not naming either deity here, the Ishvara Gita setting presents Kūrma-Vishnu teaching a yoga method widely shared across Shaiva and Vaishnava traditions, reflecting the Purana’s non-sectarian synthesis in practical sādhanā.