Dakṣa’s Progeny, Nṛsiṃha–Varāha Avatāras, and Andhaka’s Defeat
Hari–Hara–Śakti Synthesis
प्रविश्य भवनं पुण्यमयुक्तानां दुरासदम् / ददर्श नन्दिनं देवं भैरवं केशवं शिवः
praviśya bhavanaṃ puṇyamayuktānāṃ durāsadam / dadarśa nandinaṃ devaṃ bhairavaṃ keśavaṃ śivaḥ
เมื่อเสด็จเข้าสู่คฤหาสน์อันศักดิ์สิทธิ์ ซึ่งผู้ไร้สำรวมเข้าถึงได้ยาก พระศิวะได้ทอดพระเนตรเทวนันทิน ภัยรวะ และเกศวะ.
Narrator (Purāṇic narration describing Śiva’s action)
Primary Rasa: adbhuta
Secondary Rasa: shanta
By placing Keśava (Viṣṇu) within Śiva’s direct vision inside a “puṇya” abode, the verse hints at a single sacred reality accessible through inner discipline—suggesting that the Supreme is not sectarian but realized through yogic fitness.
The key term is ayukta (“not yoked/undisciplined”): the holy realm is “durāsada” for those lacking yoga—i.e., without self-restraint, steadiness, and inner integration (yama-niyama, concentration, and devotional alignment), one cannot truly ‘enter’ sacred presence.
Śiva’s beholding of Keśava within the same sanctified space alongside Śaiva figures (Nandin, Bhairava) presents a harmonized vision: Śiva and Viṣṇu are approached as mutually present manifestations within one sacred order, supporting the Kurma Purana’s Shaiva–Vaishnava synthesis.