Agni Purana — Yoga & Brahma-vidya, Shloka 10
Chapter 378: Brahma-jñāna
Knowledge of Brahman
सम्भर्तेति तथा भर्ता भकारो ऽर्थद्वयान्वितः नेता गमयिता स्रष्टा गकारो ऽयं महमुने
sambharteti tathā bhartā bhakāro 'rthadvayānvitaḥ netā gamayitā sraṣṭā gakāro 'yaṃ mahamune
พยางค์ ‘ภ’ มีความหมายสองประการ คือ ผู้ค้ำจุนเลี้ยงดู (สัมภรตา) และผู้ทรงไว้/ผู้เกื้อหนุน (ภรตา). ส่วนพยางค์ ‘ค’ คือ ผู้นำ ผู้ชักนำให้ดำเนินไป และผู้สร้างสรรค์—โอ มหามุนี
Lord Agni (instructing a sage, traditionally Vasiṣṭha, in the Agni Purana’s dialogue frame)
Vidya Category: {"primary_vidya":"Vyakarana","secondary_vidya":"Mantra","practical_application":"Use nirukti-style letter/phoneme semantics to interpret divine names (here, ‘bha’ and ‘ga’) for mantra-japa, stotra composition, and theological clarity.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Bha–Ga Nirukti: Semantic unpacking of ‘Bhaga’","lookup_keywords":["nirukti","bha","ga","bhagavān","akṣara-artha"],"quick_summary":"The verse assigns functional meanings to syllables: ‘bha’ as sustainer/supporter and ‘ga’ as leader/impeller/creator. This provides a mnemonic theology for understanding the epithet Bhagavān."}
Alamkara Type: Nirukti (etymological exposition)
Concept: Divine name-analysis: syllables encode functions of the Lord—sustaining, leading, creating—supporting contemplative remembrance through language.
Application: During japa of ‘Bhagavān’/‘Bhaga’, contemplate the mapped functions (sustainer, leader, creator) to deepen dhyāna and stabilize devotion.
Khanda Section: Nama-nirukti (Mantra/Name Etymology and Phala-shruti Style Exposition)
Primary Rasa: Shanta
Secondary Rasa: Adbhuta
Visual Art Cues: {"scene_description":"A great sage explains syllables on a writing board: ‘bha’ and ‘ga’ with arrows to meanings—sustainer, supporter, leader, creator—while a subtle divine presence is implied.","kerala_mural_prompt":"Kerala mural, rishi with stylus and palm-leaf, large Devanagari ‘भ’ and ‘ग’ floating as sacred glyphs, icon-like symbolic arrows to meanings, earthy palette and bold outlines","tanjore_prompt":"Tanjore painting, ornate script ‘भ’ and ‘ग’ in gold relief, sage teaching a disciple, decorative borders, gold highlights emphasizing syllable-sacrality","mysore_prompt":"Mysore style, didactic chart-like composition with syllables and glosses, fine lines, gentle colors, scholarly ambience with manuscripts and inkpot","mughal_miniature_prompt":"Mughal miniature, calligrapher-sage in a study, elegant letters ‘bha’ and ‘ga’ on a folio, marginal notes, refined detailing and subdued tones"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: sambharteti = sambhartā iti; bhakāro 'rthadvayānvitaḥ = bhakāraḥ artha-dvaya-anvitaḥ; gakāro 'yaṃ = gakāraḥ ayam; mahamune = maha-mune.
Related Themes: Agni Purana 378.11
FAQs
It teaches varṇa-nirukti: deriving doctrinal meanings from syllables—here, ‘bha’ as sustaining/protecting and ‘ga’ as leading/impelling/creating—used in interpreting divine names and mantra-components.
By preserving a compact, technical tradition of Sanskrit nirukti and mantra-semantics alongside other sciences, the text functions as a reference for phonetic theology and name-interpretation in addition to ritual, polity, and śāstra topics.
Contemplating the deity through these syllabic meanings supports focused japa and bhakti: one meditates on the divine as protector (bha) and as guide/creator (ga), strengthening devotion and purificatory recollection (smaraṇa).