Previous Verse
Next Verse

Agni Purana — Veda-vidhana & Vamsha, Shloka 30

Nīrājana-vidhiḥ

Procedure of Nīrājana / Auspicious Lamp-Waving and Royal Propitiation

चतुरङ्गबलोपेतः सर्वसैन्येन नादयन् एवं कृत्वा गृहं गच्छेद्विसर्जितजलाञ्जलिः

caturaṅgabalopetaḥ sarvasainyena nādayan evaṃ kṛtvā gṛhaṃ gacchedvisarjitajalāñjaliḥ

เมื่อพร้อมด้วยกองทัพสี่เหล่าและทำให้ไพร่พลทั้งมวลกึกก้อง ครั้นกระทำดังนี้แล้ว พึงกลับสู่เรือน โดยปล่อยน้ำในฝ่ามือเป็นเครื่องบูชา (ชลาญชลี)

चतुरङ्गबलोपेतःendowed with the fourfold army
चतुरङ्गबलोपेतः:
Karta (कर्ता)
TypeAdjective
Rootचतुरङ्ग + बल + उपेत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/कर्ता), एकवचन; क्त-प्रत्ययान्त (उपेत = endowed/possessed) + तत्पुरुष-समास (चतुरङ्गं बलं येन उपेतः)
सर्वसैन्येनwith the entire army
सर्वसैन्येन:
Karana (करण)
TypeNoun
Rootसर्व + सैन्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental/करण), एकवचन; कर्मधारय-समास (सर्वं तत् सैन्यम्)
नादयन्causing to resound
नादयन्:
Karta (कर्ता)
TypeVerb
Rootनद् (धातु)
Formशतृ-प्रत्ययान्त वर्तमानकाले कृदन्त (present active participle), पुंलिङ्ग, प्रथमा, एकवचन; परस्मैपद-भाव; causative sense ‘to make sound’ (नादयति)
एवम्thus
एवम्:
Sambandha (सम्बन्ध/adverbial)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb: thus)
कृत्वाhaving done
कृत्वा:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootकृ (धातु)
Formक्त्वान्त (Gerund/Absolutive), अव्ययभाव
गृहम्home
गृहम्:
Karma (कर्म)
TypeNoun
Rootगृह (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative/कर्म), एकवचन
गच्छेत्should go
गच्छेत्:
Kriya (क्रिया)
TypeVerb
Rootगम् (धातु)
Formविधिलिङ् (Optative), प्रथम-पुरुष, एकवचन; परस्मैपद
विसर्जितजलाञ्जलिःhaving poured out the water-offering (libation)
विसर्जितजलाञ्जलिः:
Karta (कर्ता)
TypeAdjective
Rootविसृज् (धातु) + जल + अञ्जलि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/कर्ता), एकवचन; बहुव्रीहि-समास (विसर्जिता जला-अञ्जलिः यस्य सः = one who has released the water-offering); क्त-प्रत्ययान्त (विसर्जित)

Lord Agni (in discourse to Vasiṣṭha, as per the Agni Purana’s usual frame)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Arthashastra","practical_application":"Post-rite mobilization and demobilization: proceed with the fourfold army with resounding signals, then return home after completing the rite and releasing the water-offering—closing the operation ritually and administratively.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Caturaṅga-Bala March Signal and Jalāñjali Visarjana (Rite Closure)","lookup_keywords":["chaturanga-bala","sainya-nada","jalanjali","visarjana","griha"],"quick_summary":"Move with the fourfold army while sounding the host, then conclude by releasing the water-offering and return—marking both tactical readiness and ritual completion."}

Weapon Type: Caturaṅga-bala (infantry, cavalry, chariots, elephants)

Concept: Power is bounded by procedure: begin with rite, act with order, end with formal release (visarjana).

Application: In governance and operations, include explicit closure steps (dismissal, offerings, return) to prevent disorder and lingering obligations.

Khanda Section: Rajadharma & Sena-vyavastha (Governance and Military Procedure)

Primary Rasa: vira

Secondary Rasa: shanta

Type: Palace/Encampment

Visual Art Cues: {"scene_description":"A vast fourfold army assembled—elephants, chariots, cavalry, infantry—raising a thunderous sound of drums and conches; afterward the king releases a handful of water to conclude and the procession returns home.","kerala_mural_prompt":"Kerala mural: panoramic caturaṅga army in stylized tiers, conches and drums prominent, elephants and chariots in profile, concluding scene with king pouring water from cupped hands, bold colors and rhythmic repetition.","tanjore_prompt":"Tanjore: glittering army standards with gold leaf, dramatic central king performing jalāñjali release, ornate instruments, rich reds and greens, embossed detailing on armor and caparisons.","mysore_prompt":"Mysore: instructional composition labeling the four limbs of the army, clear depiction of signaling instruments, then a small vignette of water-offering release and orderly return, fine lines and soft shading.","mughal_miniature_prompt":"Mughal miniature: detailed military review with drums, kettledrums, conches, varied units, then a quiet closing moment of water release near palace road, naturalistic landscape and floral borders."}

Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Bhairavi","pace":"fast","voice_tone":"epic"}

Sandhi Resolution Notes: चतुरङ्गबलोपेतः = चतुरङ्ग-बल-उपेतः; गच्छेद्विसर्जितजलाञ्जलिः = गच्छेत् विसर्जित-जलाञ्जलिः.

Related Themes: Agni Purana 267.26 (consecration and elephant ranks); Agni Purana 267.28 (bali distribution)

C
Caturaṅga-bala
S
Sena (army)
J
Jalāñjali (water-libation)

FAQs

It prescribes the formal conclusion of a military action/procession: the commander, with the fourfold army, makes the host sound (drums/clamor) and then performs a concluding jalāñjali-visarjana (water-libation release) before returning home.

Alongside theology, the Agni Purana records practical statecraft and war-protocol—here combining military organization (caturaṅga-bala) with a ritualized closure (water-libation), showing how governance and sacred procedure interlock.

The released jalāñjali functions as a purificatory and concluding act, ritually ‘dismissing’ the undertaking and marking auspicious completion, helping neutralize impurity or fault accrued in martial activity.