Previous Verse
Next Verse

Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 6

Chapter 94 — शिलाविन्यासविधानम्

The Procedure for Laying the Foundation Stones

शम्बरैर् मूर्तिनाथानां यथा स्युर्भित्तिमध्यतः तासु धर्मादिकानष्टौ कोणात् कोणं विभागशः

śambarair mūrtināthānāṃ yathā syurbhittimadhyataḥ tāsu dharmādikānaṣṭau koṇāt koṇaṃ vibhāgaśaḥ

ด้วยศัมพะระ (เชือกวัด) พึงกำหนดตำแหน่งเทพประธานแห่งมูรติให้ตก ณ กึ่งกลางช่องผนัง และภายในช่องแบ่งนั้น พึงจัดหลักทั้งแปดเริ่มด้วยธรรมะ แบ่งเป็นระเบียบจากมุมหนึ่งสู่อีกมุมหนึ่ง

शम्बरैःwith śambaras (stakes/props; ritual supports)
शम्बरैः:
Karaṇa (करण)
TypeNoun
Rootशम्बर (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (Instrumental), बहुवचन
मूर्ति-नाथानाम्of the lords of the forms (mūrtis)
मूर्ति-नाथानाम्:
Sambandha (सम्बन्ध)
TypeNoun
Rootमूर्ति (प्रातिपदिक) + नाथ (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (Genitive), बहुवचन; षष्ठी-तत्पुरुष (mūrtīnāṃ nāthāḥ)
यथाas / so that
यथा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootयथा (अव्यय)
Formअव्यय (adverb/conjunction), यथार्थक (as/so that)
स्युःmay be / should be
स्युः:
Kriyā (क्रिया)
TypeVerb
Rootअस् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd), बहुवचन, परस्मैपद
भित्ति-मध्यतःfrom the middle of the wall
भित्ति-मध्यतः:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootभित्ति (प्रातिपदिक) + मध्य (प्रातिपदिक)
Formअव्ययीभाव (adverbial compound), तसिल्-प्रत्ययान्त (ablatival adverb)
तासुin those (places)
तासु:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (Locative), बहुवचन; सर्वनाम
धर्म-आदिकान्Dharma and the others
धर्म-आदिकान्:
Karma (कर्म)
TypeNoun
Rootधर्म (प्रातिपदिक) + आदि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), बहुवचन; ‘ādi’ समास
अष्टौeight
अष्टौ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootअष्टन् (संख्या-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), बहुवचन; संख्यावाचक विशेषण
कोणात्from a corner
कोणात्:
Apādāna (अपादान)
TypeNoun
Rootकोण (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (Ablative), एकवचन
कोणम्to (another) corner
कोणम्:
Karma (कर्म)
TypeNoun
Rootकोण (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), एकवचन
विभागशःby divisions / separately
विभागशः:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootविभाग (प्रातिपदिक)
Formअव्यय (adverb), शस्-प्रत्ययान्त (distributive: -śas)

Lord Agni (in instruction to sage Vasiṣṭha, Agni Purāṇa’s standard dialogic frame)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Shilpa","practical_application":"Wall-space planning: use measuring cords to center presiding deities within wall panels and assign the eight principles (Dharma etc.) across corner-to-corner divisions.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Wall-Panel Layout by Śambara Cords: Centering Deities and Assigning Dharma-ādi Eight","lookup_keywords":["śambara","bhitti","mūrti-nātha","Dharma-ādi","vibhāga"],"quick_summary":"Measure wall divisions with cords so each presiding deity aligns to the center of its wall-space; then distribute the eight principles beginning with Dharma across the subdivided corners in a fixed order."}

Concept: Sacred order is expressed through proportion and centeredness; ethical/cosmic principles (Dharma etc.) are mapped onto built form.

Application: Use cord-measurement to avoid misalignment; keep icon centers on panel centers; maintain prescribed eightfold distribution for coherent iconographic narrative.

Khanda Section: Vāstu-śāstra (Iconography & Temple/Wall Layout)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"Architects and priests stretching measuring cords across a temple wall, marking the center of each wall panel; a schematic showing eight labeled segments from corner to corner with ‘Dharma’ and the next seven principles placed in order.","kerala_mural_prompt":"Kerala mural, artisans with cords and chalk marking wall centers, faint grid lines, small deity medallions centered in panels, eight principle labels in corner-to-corner band, earthy palette and temple interior feel.","tanjore_prompt":"Tanjore, decorative wall panels with centered deity icons, gold borders emphasizing symmetry, eight principle medallions (Dharma etc.) arranged diagonally corner-to-corner, ornate architectural framing.","mysore_prompt":"Mysore, technical illustration vibe: wall elevation with measured divisions, cords shown, center points highlighted, eightfold diagonal segmentation labeled, clean lines and soft colors.","mughal_miniature_prompt":"Mughal miniature, workshop scene with master-measurer holding cord, assistants marking wall, architectural elevation in background with centered niches, diagonal band of eight labeled principles, fine detail and perspective."}

Audio Atmosphere: {"recitation_mood":"didactic","suggested_raga":"Kalyani","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: स्युर्भित्तिमध्यतः = स्युः भित्ति-मध्यतः

Related Themes: Agni Purana 94 (vāstu measurements; mandala divisions; deity placements on architectural members)

D
Dharma

FAQs

It teaches Vāstu-style measurement and placement: using measuring cords to center icon-panels on wall sections and then mapping an eightfold scheme (starting with Dharma) across the corners in a systematic grid.

Beyond theology, it preserves applied architectural procedure—how to measure, center, and subdivide wall-spaces for icon programs—showing the Agni Purāṇa’s practical coverage of Vāstu and temple/iconographic planning.

Correct spatial placement of deities and principled (Dharma-led) ordering is treated as ritual correctness in sacred construction, supporting auspiciousness, harmony, and the merit (puṇya) of properly established worship spaces.