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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 4

Chapter 94 — शिलाविन्यासविधानम्

The Procedure for Laying the Foundation Stones

नकारारूढमूलेन कुम्भे ऽस्मिन् धारयेच्छिलां कुम्भानष्टौ सभद्रादीन् दिक्षु पूर्वादिषु क्रमात्

nakārārūḍhamūlena kumbhe 'smin dhārayecchilāṃ kumbhānaṣṭau sabhadrādīn dikṣu pūrvādiṣu kramāt

ด้วยมูลมนตร์ที่อาศัยพยางค์ “นะ” พึงตั้งศิลาไว้ในกุมภะนี้ แล้วพึงจัดกุมภะพิธีแปดใบ เริ่มด้วย “สภัทรา” ไว้ตามทิศตะวันออกเป็นต้นโดยลำดับ

नकार-आरूढ-मूलेनwith the root mounted on the syllable ‘na’
नकार-आरूढ-मूलेन:
Karaṇa (करण)
TypeAdjective
Rootनकार (प्रातिपदिक) + आरूढ (कृदन्त, आ+रुह्) + मूल (प्रातिपदिक)
Formनपुंसकलिङ्ग/पुंलिङ्ग, तृतीया (Instrumental), एकवचन; बहुपद-तत्पुरुष (nakāre ārūḍhaṃ mūlam yasya / nakāre ārūḍhaṃ mūlam)
कुम्भेin the pot
कुम्भे:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootकुम्भ (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (Locative), एकवचन
अस्मिन्in this
अस्मिन्:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी (Locative), एकवचन; सर्वनाम
धारयेत्should hold/place
धारयेत्:
Kriyā (क्रिया)
TypeVerb
Rootधृ (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd), एकवचन, परस्मैपद
शिलाम्the stone
शिलाम्:
Karma (कर्म)
TypeNoun
Rootशिला (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (Accusative), एकवचन
कुम्भान्pots
कुम्भान्:
Karma (कर्म)
TypeNoun
Rootकुम्भ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), बहुवचन
अष्टौeight
अष्टौ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootअष्टन् (संख्या-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा/द्वितीया (Nom/Acc), बहुवचन; संख्यावाचक विशेषण
सुभद्र-आदीन्Subhadrā and the others
सुभद्र-आदीन्:
Karma (कर्म)
TypeNoun
Rootसुभद्र (प्रातिपदिक) + आदि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), बहुवचन; ‘ādi’ समास (sabhadrāḥ ādayaḥ)
दिक्षुin the directions
दिक्षु:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootदिश् (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (Locative), बहुवचन
पूर्व-आदिषुin the eastern etc. (directions)
पूर्व-आदिषु:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootपूर्व (प्रातिपदिक) + आदि (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (Locative), बहुवचन; ‘ādi’ समास (pūrvaḥ ādayaḥ)
क्रमात्in order
क्रमात्:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootक्रम (प्रातिपदिक)
Formअव्यय (adverbial), तसिल्-प्रत्ययान्त (ablatival adverb)

Lord Agni (narrating ritual procedure to the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Vastu","practical_application":"Kumbha-sthāpana empowered by bīja/root-mantra (na-kāra) and directional placement of eight kumbhas for dikpāla-nyāsa.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Na-kāra Root-mantra Kumbha: Stone Stabilization and Eight Directional Pots","lookup_keywords":["na-kāra","mūla-mantra","kumbha","dikpāla","aṣṭa-kumbha"],"quick_summary":"Empower the central kumbha with a na-kāra-based root-mantra and steady a stone within it; then place eight kumbhas in the eight directions starting from the East, beginning with Sabhadrā."}

Concept: Sound (bīja/varṇa) as a carrier of śakti; space is ritually organized through directional guardians.

Application: Use mantra-syllable anchoring and strict directional sequencing to ‘seal’ the ritual field.

Khanda Section: Puja-vidhi / Tantra-mantra-kalpa (Kumbha-sthapana and Dikpala-nyasa)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A central ritual pot with a stone being placed inside while a priest recites a na-kāra root-mantra; eight additional pots arranged around it in the eight directions, each marked with its deity-name starting with Sabhadrā in the East.","kerala_mural_prompt":"Kerala mural, circular mandala floor, central kumbha with stone visible at mouth, priest chanting, eight kumbhas around with directional markers, earthy reds and ochres, stylized script-like labels for Sabhadrā etc.","tanjore_prompt":"Tanjore style, central kumbha with gold embossing, eight surrounding kumbhas with gold halos, directional compass motif, ornate ritual cloth, devotional symmetry.","mysore_prompt":"Mysore style, diagrammatic clarity: compass rose, eight kumbhas precisely placed, priest holding japa-mālā, subtle depiction of mantra syllable ‘na’ near central pot, instructional composition.","mughal_miniature_prompt":"Mughal miniature, top-down courtyard view with eight pots in perfect geometry, attendants placing vessels, fine calligraphy cartouches naming directions and Sabhadrā, delicate shading on metal pots."}

Audio Atmosphere: {"recitation_mood":"focused","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: कुम्भे ऽस्मिन् = कुम्भे अस्मिन्; धारयेच्छिलां = धारयेत् शिलाम्; नकारारूढमूलेन = नकार-आरूढ-मूलेन

Related Themes: Agni Purana 94 (kumbha-sthāpana, dik-nyāsa, mantra-kalpa sections)

A
Agni
K
Kumbha (ritual pot)
M
Mūla-mantra (root mantra)
D
Dik (cardinal directions)
S
Sabhadra

FAQs

It teaches kumbha-sthāpana with mantra-application: stabilizing the main ritual pot with a stone and placing eight auxiliary pots direction-wise (dik-krama) beginning from the East.

It preserves precise, implementable liturgical engineering—mantra usage, physical setup (stone support), and spatial (directional) arrangement—showing the Agni Purana’s coverage of practical temple/household ritual protocols alongside theology.

Correct mantra-linked placement and directional order are treated as essential for ritual purity, protection, and efficacy—ensuring the rite becomes ‘properly installed’ (sthāpita) and yields auspicious, unobstructed results.