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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 37

Chapter 92 — प्रतिष्ठाविधिकथनम्

Narration of the Consecration / Installation Procedure

नवानान्तु यथासङ्ख्यं निधिकुम्भः पूर्णस्तथोत्तरः आसनं प्रथमं दत्त्वा ताड्योल्लिख्यशराणुना

navānāntu yathāsaṅkhyaṃ nidhikumbhaḥ pūrṇastathottaraḥ āsanaṃ prathamaṃ dattvā tāḍyollikhyaśarāṇunā

จากนั้นให้ตั้ง (เป้า) ทั้งเก้าตามลำดับ; ถัดไปให้ตั้งนিধิกุมภะที่บรรจุเต็ม. เมื่อรับอาสนะ/ท่ายิงที่ถูกต้องก่อนแล้ว จึงให้ตีและทำเครื่องหมายหรือกรีด (เป้า) ด้วยปลายลูกศร।

navānāmof the nine
navānām:
Sambandha (सम्बन्ध/Genitive)
TypeAdjective
Rootnava (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग (m./n.), षष्ठी (Genitive, 6th), बहुवचन (plural); संख्यावाची (numeral)
tuindeed/but
tu:
Sambandha-bodhaka (सम्बन्धबोधक)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय; विरोध/विशेषार्थक (but/indeed)
yathā-saṅkhyamin due order
yathā-saṅkhyam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootyathā-saṅkhya (अव्ययीभाव-प्रातिपदिक; yathā+saṅkhya)
Formअव्यय; अव्ययीभावसमास (adverbial): ‘according to the number/in due order’
nidhi-kumbhaḥNidhikumbha
nidhi-kumbhaḥ:
Karta (कर्ता)
TypeNoun
Rootnidhi-kumbha (प्रातिपदिक; nidhi+kumbha)
Formपुंलिङ्ग, प्रथमा, एकवचन; समासः—तत्पुरुष: ‘treasure-jar’; नाम
pūrṇaḥPūrṇa
pūrṇaḥ:
Karta (कर्ता)
TypeNoun
Rootpūrṇa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
tathāalso
tathā:
Sambandha-bodhaka (सम्बन्धबोधक)
TypeIndeclinable
Roottathā (अव्यय)
Formअव्यय; समुच्चयार्थक
uttaraḥUttara
uttaraḥ:
Karta (कर्ता)
TypeNoun
Rootuttara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
āsanama seat
āsanam:
Karma (कर्म)
TypeNoun
Rootāsana (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative, 2nd), एकवचन
prathamamfirst
prathamam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootprathama (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifier of āsanam)
dattvāhaving given
dattvā:
Kriyā (क्रिया; pūrvakāla)
TypeVerb
Root√dā (दा धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभाव (indeclinable verbal); पूर्वकालिक क्रिया (prior action)
tāḍyahaving struck
tāḍya:
Kriyā (क्रिया; pūrvakāla)
TypeVerb
Roottāḍya (कृदन्त; √tāḍ/ताड् धातु)
Formल्यप्/क्त्वार्थक अव्यय (gerund-like, ‘having struck/after striking’); here as first member in a compound sequence
ullikhyahaving inscribed/scratched
ullikhya:
Kriyā (क्रिया; pūrvakāla)
TypeVerb
Rootullikhya (कृदन्त; √likh/लिख् धातु with ud-)
Formल्यप्/क्त्वार्थक अव्यय (gerund): ‘having scratched/inscribed’
śara-aṇunāwith the tip of an arrow
śara-aṇunā:
Karaṇa (करण)
TypeNoun
Rootśara-aṇu (प्रातिपदिक; śara+aṇu)
Formपुंलिङ्ग (masculine), तृतीया (Instrumental, 3rd), एकवचन; समासः—तत्पुरुष: ‘arrow-point/arrow-tip (minute point of an arrow)’

Lord Agni (in discourse to sage Vasiṣṭha, as per the common Agni Purana dialogue frame)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Samanya","practical_application":"Archery practice protocol: arranging targets in sequence, using a filled kumbha as a target, adopting correct stance, striking, and then marking the hit-point with the arrow-tip for accuracy training.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Archery Drill: Nine Targets and Nidhi-Kumbha Marking Practice","lookup_keywords":["Dhanurveda","āsana","target practice","nidhi-kumbha","arrow point"],"quick_summary":"Gives a stepwise drill: set nine targets in order, include a filled treasure-jar target, take proper shooting posture, strike, and incise/mark the target with the arrow-tip to verify precision."}

Weapon Type: Bow and arrow (śara)

Concept: Abhyāsa (repetition) with measurable feedback: posture + strike + mark = skill acquisition through verification.

Application: Design practice sessions with ordered targets and objective marking of hits to track improvement and correct form.

Khanda Section: Dhanurveda (Archery and weapon-practice procedures)

Primary Rasa: vira

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"An archer on a practice ground faces nine arranged targets; one target is a brimming treasure-jar (kumbha). After shooting, the archer approaches to incise/mark the hit-point with the arrow-tip, while a trainer observes posture.","kerala_mural_prompt":"Kerala mural, stylized archery ground with nine circular targets and a decorated kumbha target, archer in firm stance, bold outlines, minimal depth, dynamic yet ritualized composition","tanjore_prompt":"Tanjore painting, heroic archer with ornate bow, gold-highlighted kumbha target filled to brim, targets arranged symmetrically, rich decorative borders, emphasis on auspicious vessel motif","mysore_prompt":"Mysore painting, instructional scene: archer demonstrating correct āsana, sequential targets numbered, close-up of arrow-tip marking the target, soft shading and clear didactic layout","mughal_miniature_prompt":"Mughal miniature, detailed training courtyard with instructor and archer, nine targets in perspective, a painted treasure-jar target, fine depiction of arrow impact and marking action, delicate landscape backdrop"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"fast","voice_tone":"instructional"}

Sandhi Resolution Notes: navānāntu = navānām tu; pūrṇastathottaraḥ = pūrṇaḥ tathā uttaraḥ; tāḍyollikhyaśarāṇunā = tāḍya ullikhya śara-aṇunā.

Related Themes: Agni Purana Dhanurveda sections (archery practice and posture instructions)

D
Dhanurveda
N
nidhi-kumbha (treasure-jar target)

FAQs

It teaches a Dhanurveda training sequence: arranging targets in a fixed order, taking the correct shooting posture (āsana), and executing a precise strike with the arrow-tip to mark/score the target.

Beyond theology, the Agni Purana preserves practical martial pedagogy—how to structure archery drills, define target-forms (like the nidhi-kumbha), and standardize technique—showing its wide coverage of applied sciences.

In the Purāṇic frame, disciplined weapon-training supports dharma-protection: mastery through order, posture, and precision is portrayed as a righteous skill when used to uphold social and moral duty.